Is Trust given freely, or earned over time?
View More Fringe in Sketch: FAIR TRADE (Jessica Creane & Yannick Trapman-O’Brien)
Category: Fringe Festival
The 2018 Philly Fringe Festival runs September 6-23. and Phindie is the place for coverage, with previews, interviews with artists, and reviews of more Fringe theater productions than any other publication.
FOOD (Geoff Sobelle): 2022 Fringe review
Unless you know Geoff Sobelle’s other works, you’ve never seen anything like this.
View More FOOD (Geoff Sobelle): 2022 Fringe review
TWO-CHARACTER PLAY (IRC): 2022 Fringe review
Nobody writes crazy, despairing, desperate women like Tennessee Williams
View More TWO-CHARACTER PLAY (IRC): 2022 Fringe review
NOT RIGHT NOW (James Christy): 2022 Fringe review
There are many, many moments that become stories.
View More NOT RIGHT NOW (James Christy): 2022 Fringe review
Fringe in Sketch: Honky Tonkin’ — A Country Music Show
Yeehaw!!! Pounds of sequins, yards of fringe and really big hair! This lil’ ol’ shindig puts the hoot in hootenanny and the jam in jamboree…
View More Fringe in Sketch: Honky Tonkin’ — A Country Music Show
Looking Back: Chekhov Lizardbrain & Red Eye to Havre de Grace
Kathryn Osenlund remembers two productions from Fringe Festivals past
View More Looking Back: Chekhov Lizardbrain & Red Eye to Havre de Grace
A Period of Drastic Change and Reordering: Interview with THE WAY OUT artists and performers.
Driving by in cars like a slow-moving funeral procession, we get new perspectives from an all-female cast
View More A Period of Drastic Change and Reordering: Interview with THE WAY OUT artists and performers.
AUTOPIA (Hella Fresh): 2019 Fringe review
I’m reminded to look around and appreciate the magic of the theater.
View More AUTOPIA (Hella Fresh): 2019 Fringe review
Let Me Die (Joseph Keckler): 2019 Fringe review
How many times can we witness a dramatic death on TV, in movies, or even opera?
View More Let Me Die (Joseph Keckler): 2019 Fringe review
Fringe Forecast Podcast: Episode 3
The 2019 Fringe Festival podcast concludes with interviews with Peter Woolsey of La Peg at FringeArts and John Cambridge
View More Fringe Forecast Podcast: Episode 3
LET ME DIE (Joseph Keckler): 2019 Fringe review
Spoilers puts it mildly: She dies. He dies. They die.
View More LET ME DIE (Joseph Keckler): 2019 Fringe review
Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
3 weeks. 10 plays. My first Fringe Festival.
View More Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
Fringe in Sketch: THE INSANITY OF MARY GIRARD (Allens Lane)
The wife of America’s richest man is put in an insane asylum.
View More Fringe in Sketch: THE INSANITY OF MARY GIRARD (Allens Lane)
A LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe review
Is she playing with dolls or is she controlling her own narrative?
View More A LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe review
Talking FEASTIVAL: A round table with Peter Woolsey
Peter Woolsey talks about his history as a chef and entrepreneur, operating a restaurant within a performance art space, and Feastival
View More Talking FEASTIVAL: A round table with Peter Woolsey
Fringe in Sketch: BASEMENT (Gunnar Montana)
Follow one man’s frightening descent into deranged madness and witness his unrelenting, visceral nightmare unfold.
View More Fringe in Sketch: BASEMENT (Gunnar Montana)
A Web Series Irina Varina Made Instead of Thinking About Men
Irina Varina gives a behind-the-scenes look at her unique new series, part of the Free Fringe
View More A Web Series Irina Varina Made Instead of Thinking About Men
HABIT@ (Matter Movement Group): 2019 Fringe review
An otherworldly trip into primal vitality
View More HABIT@ (Matter Movement Group): 2019 Fringe review
There (Wilma): 2019 Fringe review
A cosmic trip that combined both poetry and performance
View More There (Wilma): 2019 Fringe review
PUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe review
A far cry from Sesame Street and Lamb Chop
View More PUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe review