Skip to content
Saturday, January 28, 2023
phindie

phindie

An independent take on Philadelphia theater and arts

about . contact . advertising . support

phindie
  • Reviews
  • Features
    • Interviews
  • Theater
  • Dance
  • Music
  • Film
  • Visual
  • Podcasts
  • Theater

    BEOWULF (Benjamin Bagby): A rare theatrical experience

    Benjamin Bagby takes on the role of the scop, the storyteller

    Toby Zinman January 28, 2023 No Comments
    View More
  • Theater

    Waiting For Lefty (Quintessence): On the side of angels but not art

    This show has history. Odets, a voice for his disinherited generation was born in Philadelphia.

    Kathryn Osenlund January 24, 2023 No Comments
    View More
  • Theater

    FARRENC AND BRAHMS (Philadelphia Orchestra) Soloist Seong-Jin Cho dominates a night of high drama

    It was just minutes into the performance, but the crowd at Verizon Hall was already overcome.

    Michael Fisher January 23, 2023 No Comments
    View More
  • Theater

    LAST OF THE RED HOT LOVERS (Walnut): Feeling nostalgic?

    Are you missing those bad hairdos and baggy blue suits of 1969?

    Toby Zinman January 21, 2023 No Comments
    View More
  • Theater

    About Face: Actor Charles Everett on A SOLDIER’S PLAY

    Actor Charles Everett brings both his acting and military background with him as he tours with A Soldier’s Play.

    Debra Danese January 18, 2023 No Comments
    View More

Theater

BEOWULF (Benjamin Bagby): A rare theatrical experience

Toby Zinman January 28, 2023 No Comments

Benjamin Bagby takes on the role of the scop, the storyteller

View More BEOWULF (Benjamin Bagby): A rare theatrical experience
Theater

Waiting For Lefty (Quintessence): On the side of angels but not art

Kathryn Osenlund January 24, 2023 No Comments

This show has history. Odets, a voice for his disinherited generation was born in Philadelphia.

View More Waiting For Lefty (Quintessence): On the side of angels but not art
Theater

FARRENC AND BRAHMS (Philadelphia Orchestra) Soloist Seong-Jin Cho dominates a night of high drama

Michael Fisher January 23, 2023 No Comments

It was just minutes into the performance, but the crowd at Verizon Hall was already overcome.

View More FARRENC AND BRAHMS (Philadelphia Orchestra) Soloist Seong-Jin Cho dominates a night of high drama
Theater

LAST OF THE RED HOT LOVERS (Walnut): Feeling nostalgic?

Toby Zinman January 21, 2023 No Comments

Are you missing those bad hairdos and baggy blue suits of 1969?

View More LAST OF THE RED HOT LOVERS (Walnut): Feeling nostalgic?
Theater

About Face: Actor Charles Everett on A SOLDIER’S PLAY

Debra Danese January 18, 2023 No Comments

Actor Charles Everett brings both his acting and military background with him as he tours with A Soldier’s Play.

View More About Face: Actor Charles Everett on A SOLDIER’S PLAY
Theater

Tár (dir. Todd Field): Film review

Michael Fisher January 11, 2023 No Comments

On the day I finally got around to watching Tár, Alpha Classics released a new collection of chamber music performed by virtuoso violinist Patricia Kopatchinskaya…

View More Tár (dir. Todd Field): Film review
Theater

“You Oughta Know”: Interview with Jagged Little Pill’s Charles P. Way

Debra Danese January 2, 2023 No Comments

Charles P. Way says he is “elated” to be on the first national tour of Jagged Little Pill. The UArts grad will return to Philly as a…

View More “You Oughta Know”: Interview with Jagged Little Pill’s Charles P. Way
Theater

[NYC] OHIO STATE MURDERS: Still experimental, still challenging, and still exciting controversy

Toby Zinman December 16, 2022 No Comments

Adrienne Kennedy’s crushingly beautiful play, Ohio State Murders, is making a long overdue debut on Broadway.

View More [NYC] OHIO STATE MURDERS: Still experimental, still challenging, and still exciting controversy
Theater

[NYC] SOME LIKE IT HOT: Irony-free goodness

Toby Zinman December 16, 2022 No Comments

This new musical comedy, a Big Broadway rewrite of the 1959 classic movie, Some Like it Hot, offers fabulosity: huge production numbers, flashy costumes, marvelous…

View More [NYC] SOME LIKE IT HOT: Irony-free goodness
Theater

[NYC] BECKY NURSE OF SALEM (Mitzi E. Newhouse Theater at Lincoln Center)

Toby Zinman December 12, 2022 No Comments

The Crucible, has withstood all manner of productions, from starry Broadway to high school drama club, and it will withstand Sarah Ruhl’s crass replay, Becky Nurse of Salem

View More [NYC] BECKY NURSE OF SALEM (Mitzi E. Newhouse Theater at Lincoln Center)
Theater

All About the Bass: Interview with Adam Kubota of Postmodern Jukebox

Debra Danese December 9, 2022 No Comments

Bassist Adam Kubota is enjoying life on tour with Scott Bradlee’s Postmodern Jukebox. The band performs today’s pop hits in the style of yesterday’s classics.…

View More All About the Bass: Interview with Adam Kubota of Postmodern Jukebox
Theater

BIG APPLE CIRCUS: A dilettante at large review

Toby Zinman November 21, 2022 No Comments

Where are the great acts I remembered? The trained cats? the galloping horses? the iron men? the Wheel of Death?

View More BIG APPLE CIRCUS: A dilettante at large review
Theater

Playing Ike: Interview with actor Garrett Turner of Tina: The Tina Turner Musical

Debra Danese November 15, 2022 No Comments

Alabama native Garrett Turner is playing Ike Turner in the national tour of Tina: The Tina Turner Musical.

View More Playing Ike: Interview with actor Garrett Turner of Tina: The Tina Turner Musical
Theater

Every Brilliant Thing (Arden Theatre Company): 60-second review

Kathryn Osenlund November 11, 2022 1 Comment

Scott Greer has the audience suffering with him, then happy for him. It seems this story could have been his personal history. He owns it that much.

View More Every Brilliant Thing (Arden Theatre Company): 60-second review
Tattooed Lady
Theater

The Tattooed Lady (Philadelphia Theatre Company): Tattoo as metaphor, tattoo as tattoo

Kathryn Osenlund November 10, 2022 No Comments

Boisterous, joyful, defiant, and a little bawdy, the show may have a sketchy contraption of a plot, but you don’t go to a musical expecting Hamlet.

View More The Tattooed Lady (Philadelphia Theatre Company): Tattoo as metaphor, tattoo as tattoo
Theater

DEATH OF A DRIVER (InterAct): Years pass, roads are built, potholes appear

Toby Zinman November 7, 2022 No Comments

“We are together.”  This line is an often-repeated refrain in Death of a Driver, a grim new play by Will Snider presented by InterAct at the Drake’s Proscenium…

View More DEATH OF A DRIVER (InterAct): Years pass, roads are built, potholes appear
Theater

My Policeman (dir. Michael Grandage): Film review

Jeremy Kibler November 7, 2022 No Comments

It’s hard to pinpoint exactly why My Policeman doesn’t resonate as deeply as it should. Director Michael Grandage and writer Ron Nyswaner’s adaptation of Bethan…

View More My Policeman (dir. Michael Grandage): Film review
Theater

LES MISERABLES (National Tour): How do you say schmaltz in French?

Toby Zinman November 7, 2022 No Comments

Q: How do you say schmaltz in French? A:  Les Miserables. This long musical melodrama, based on Victor Hugo’s long novelistic melodrama is currently wowing…

View More LES MISERABLES (National Tour): How do you say schmaltz in French?
Theater

DEATH OF A DRIVER (InterAct): 60-second review

Kathryn Osenlund November 7, 2022 No Comments

Faced with bureaucratic nonsense or official missteps, who hasn’t said ‘fuck the government’ or a more genteel equivalent? The multi-ethnic East African Kenya Colony gained independence in…

View More DEATH OF A DRIVER (InterAct): 60-second review
Theater

A Brilliant Role: Interview with actor Scott Greer

Debra Miller October 31, 2022 No Comments

Scott Greer returns to Arden Theatre this month to reprise his role in Every Brilliant Thing. The local actor is no stranger to the Philadelphia…

View More A Brilliant Role: Interview with actor Scott Greer

Posts navigation

Page 1 Page 2 … Page 177 Next page

Support Phindie operations
Donate Button with Credit Cards

Now Trending…

  • Waiting For Lefty (Quintessence): On the side of angels but not art by Kathryn Osenlund
  • BEOWULF (Benjamin Bagby): A rare theatrical experience by Toby Zinman
  • RIDICULOUS (Jennifer Blaine): 2018 Fringe review by Carolyn Wyman
  • GRIMMS’ JUNIPER TREE (Renegade): Important Lessons to Be Learned by Debra Miller
  • Dinner for One: The greatest cult film you’ve never heard of by Henrik Eger
phindie | Designed by: Theme Freesia | WordPress | © Copyright All right reserved