BEOWULF (Benjamin Bagby): A rare theatrical experience
Benjamin Bagby takes on the role of the scop, the storyteller
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Waiting For Lefty (Quintessence): On the side of angels but not art
This show has history. Odets, a voice for his disinherited generation was born in Philadelphia.
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FARRENC AND BRAHMS (Philadelphia Orchestra) Soloist Seong-Jin Cho dominates a night of high drama
It was just minutes into the performance, but the crowd at Verizon Hall was already overcome.
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LAST OF THE RED HOT LOVERS (Walnut): Feeling nostalgic?
Are you missing those bad hairdos and baggy blue suits of 1969?
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About Face: Actor Charles Everett on A SOLDIER’S PLAY
Actor Charles Everett brings both his acting and military background with him as he tours with A Soldier’s Play.
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Tár (dir. Todd Field): Film review
On the day I finally got around to watching Tár, Alpha Classics released a new collection of chamber music performed by virtuoso violinist Patricia Kopatchinskaya…
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“You Oughta Know”: Interview with Jagged Little Pill’s Charles P. Way
Charles P. Way says he is “elated” to be on the first national tour of Jagged Little Pill. The UArts grad will return to Philly as a…
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[NYC] OHIO STATE MURDERS: Still experimental, still challenging, and still exciting controversy
Adrienne Kennedy’s crushingly beautiful play, Ohio State Murders, is making a long overdue debut on Broadway.
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[NYC] SOME LIKE IT HOT: Irony-free goodness
This new musical comedy, a Big Broadway rewrite of the 1959 classic movie, Some Like it Hot, offers fabulosity: huge production numbers, flashy costumes, marvelous…
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[NYC] BECKY NURSE OF SALEM (Mitzi E. Newhouse Theater at Lincoln Center)
The Crucible, has withstood all manner of productions, from starry Broadway to high school drama club, and it will withstand Sarah Ruhl’s crass replay, Becky Nurse of Salem
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All About the Bass: Interview with Adam Kubota of Postmodern Jukebox
Bassist Adam Kubota is enjoying life on tour with Scott Bradlee’s Postmodern Jukebox. The band performs today’s pop hits in the style of yesterday’s classics.…
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BIG APPLE CIRCUS: A dilettante at large review
Where are the great acts I remembered? The trained cats? the galloping horses? the iron men? the Wheel of Death?
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Playing Ike: Interview with actor Garrett Turner of Tina: The Tina Turner Musical
Alabama native Garrett Turner is playing Ike Turner in the national tour of Tina: The Tina Turner Musical.
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Every Brilliant Thing (Arden Theatre Company): 60-second review
Scott Greer has the audience suffering with him, then happy for him. It seems this story could have been his personal history. He owns it that much.
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The Tattooed Lady (Philadelphia Theatre Company): Tattoo as metaphor, tattoo as tattoo
Boisterous, joyful, defiant, and a little bawdy, the show may have a sketchy contraption of a plot, but you don’t go to a musical expecting Hamlet.
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DEATH OF A DRIVER (InterAct): Years pass, roads are built, potholes appear
“We are together.” This line is an often-repeated refrain in Death of a Driver, a grim new play by Will Snider presented by InterAct at the Drake’s Proscenium…
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My Policeman (dir. Michael Grandage): Film review
It’s hard to pinpoint exactly why My Policeman doesn’t resonate as deeply as it should. Director Michael Grandage and writer Ron Nyswaner’s adaptation of Bethan…
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LES MISERABLES (National Tour): How do you say schmaltz in French?
Q: How do you say schmaltz in French? A: Les Miserables. This long musical melodrama, based on Victor Hugo’s long novelistic melodrama is currently wowing…
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DEATH OF A DRIVER (InterAct): 60-second review
Faced with bureaucratic nonsense or official missteps, who hasn’t said ‘fuck the government’ or a more genteel equivalent? The multi-ethnic East African Kenya Colony gained independence in…
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A Brilliant Role: Interview with actor Scott Greer
Scott Greer returns to Arden Theatre this month to reprise his role in Every Brilliant Thing. The local actor is no stranger to the Philadelphia…
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