For those who ever stopped to look up the giant painting on the wall of one of the buildings in Philadelphia and wondered how such an awe-inspiring artwork was created
With life and football you have to push through it all to get to the joy.
Each viewer experiences this 360-degree show in his/her own way.
There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever.
The Sketch Book Reporter takes his notepad to Tangle Movement Arts IN THE FOREST.
Hapgood is not just a spy story, it’s also a physics story
WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries
The show is basically a pirate-themed excuse for these two twee indie folkies to sing their songs of love and independence.
The piece gets its appeal from the increasingly outlandish characters and an inventive absurdity that devolves into a game of fetch and walking construction barrels.
Tennessee Williams slept with my boyfriend’s father. I love saying that at a party.
Interview with Dieter Rita Scholl, performing in DO YOU WANT A COOKIE?
Jacob Tischler returns to Philadelphia for the song and dance extravaganza, Irving Berlin’s Holiday Inn.
Chuck Schultz talks to Kathleen Murphy about her Fringe show.
Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.
A punk-horror Fringe show which engages the audience and keeps the us engaged
Gzelak finds the poetry and the absurd in the mundane.