Meehan and Collins use convincing Christopher Walken impressions in an intriguing look at how the fantasies of popular culture provide escape from our lives while they shape them.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?
Did you know you were a member of a secret religious cult? You are, and a meeting has been called to elect a new leader
Written by Welshman Dylan Thomas in the 1950s, A CHILD’S CHRISTMAS IN WALES is every nostalgic Christmas trope with song thrown in, and it’s totally delightful.
HANDLE WITH CARE is brilliantly seasoned with humor—the type found when differing cultures collide.
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
For their debut production, Susanne Collins and Kevin Meehan looked to one of the most iconic actors of contemporary cinema: Christopher Walken.
If your dancing shoes aren’t quite up to the task, this show will do the trick.
There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
Inis Nua Theatre Company’s 2011 breakout hit DUBLIN BY LAMPLIGHT returns to the stage in partnership with Drexel University’s Mandell Professionals in Residence Project
Female-centric theater group ReVamp Collective presents 12 CHAIRS.
AN AMERICAN IN PARIS’s touring cast includes Philly local Colby Q. Lindeman, a proud graduate of Philadelphia High School for Creative and Performing Arts