Theater

The best source for independent coverage of Philadelphia theater.

Shelley Butler and Patrick Ross at PlayPenn. Photo by John Flak.

Beyond PlayPenn: Former conference interns come into their own, part 3

Former PlayPenn interns come into their own as theater professionals.

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IT’S SO LEARNING is Even Berserker!

Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning to reflect our new, terrifying…

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AN ADULT EVENING OF SHEL SILVERSTEIN (Allens Lane): Our ridiculous grown up world

From the author of such children’s classics as The Giving Tree and Where the Sidewalk Ends comes a socially insightful series of vignettes

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LOST GIRLS (Theatre Exile): We are all capable of redemption

Yes, that was me sobbing on opening night of LOST GIRLS.

Patrick Ross with a script by James Ijames at PlayPenn, 2015. PlayPenn. Photo by John Fleck,

Under the wing of America’s most promising playwrights: PlayPenn interns speak, part 2

PlayPenn interns describe what its like to work with top playwrights.

Interns at the 2015 PlayPenn Conference. Photo by John Flak.

Interning PlayPenn, part 1: What theater students do behind the scenes of the playwriting conference

We hear from PlayPenn interns about the daily goings on of the conference.

Philadelphia theater calendar

Philadelphia Theater Calendar March 2017

What’s on stage this month in Philadelphia?

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Performance in Sketch: NICE AND FRESH (Automatic Arts)

Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices

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SHITHEADS (Azuka): Nice ride

Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.

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A USER’S MANUAL (Thomas Choinacky): In search of a map

What does this spacial or architectural acknowledgement yield?

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The Curious Incident: Gene Gillette on acting in the Tony-winning play making its Philly debut

The Curious Incident of the Dog in the Night-Time makes its Philadelphia debut February 28-March 5, 2017, at the Academy of Music.

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I GO ON SINGING (Annenberg Center Live): Sing on

In his touring one-night show I GO ON SINGING, Anthony Brown gives a heartfelt performance about one of Philadelphia’s most distinguished citizens.

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LEPER + CHIP (Inis Nua): More booze than the Bard

A fast-paced shaggy dog tale of love and revenge, told mostly in dueling monologs of Irish brogue

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A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories

In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.

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WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classic

Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

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Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)

Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.

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SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor

Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare

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THE ENCHANTED (IRC): a great revival speaks to our times

Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.

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SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams

The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.