It’s hard to pinpoint exactly why My Policeman doesn’t resonate as deeply as it should. Director Michael Grandage and writer Ron Nyswaner’s adaptation of Bethan…
View More My Policeman (dir. Michael Grandage): Film review
Author: Jeremy Kibler
See How They Run (dir. Tom George): Film review
Just as the theater company is about to celebrate their 100th stage performance of Agatha Christie’s “The Mousetrap,” a body turns up backstage.
View More See How They Run (dir. Tom George): Film review
Vengeance (dir. B.J. Novak): Film review
Vengeance walks a pretty confident tightrope as a crime-focused, West Texas-set black comedy with more substance than a deep-fried Twinkie. It never really comes across as…
View More Vengeance (dir. B.J. Novak): Film review
Flux Gourmet (dir. Peter Strickland): Film review
Peter Strickland’s Flux Gourmet is another auteur-flavored oddity all the way. Capturing the senses whether it’s through sound mixing in film production (“Berberian Sound Studio”),…
View More Flux Gourmet (dir. Peter Strickland): Film review
Good Luck to You, Leo Grande (dir. Sophie Hyde): Film review
There are plenty of movies about sex, but not enough movies about sexual pleasure involving women of a certain age.
View More Good Luck to You, Leo Grande (dir. Sophie Hyde): Film review
Fire Island (dir. Andrew Ahn): Film review
Pack your poppers, lube, and rainbow bikini briefs — director Andrew Ahn’s Fire Island takes us to the gay mecca off the South Shore of…
View More Fire Island (dir. Andrew Ahn): Film review
Pleasure (Dir. Ninja Thyberg): Film review
They always say, “it’s not what you know, but who you know.” That might be true in any industry where there’s room for growth, and…
View More Pleasure (Dir. Ninja Thyberg): Film review
Hatching (Dir. Hanna Bergholm): Film review
A satire of suburban ennui melded with a girlhood drama has never morphed more seamlessly into a body-horror monster movie.
View More Hatching (Dir. Hanna Bergholm): Film review
The Northman (dir. Robert Eggers): Film review
“The Northman” might be Robert Eggers’ most accessible film and yet it never compromises itself as a Robert Eggers film, complete with old-world authenticity and forbidding weirdness. I
View More The Northman (dir. Robert Eggers): Film review
Dual (dir. Riley Stearns): Film review
Not everyone will be on filmmaker Riley Stearns’ oddball wavelength, but it’s the viewer’s choice. In the case of droll, tightly-scripted sci-fi black comedy “Dual,” they’ll wish they could be. In what is very much from Stearns’ voice, the film is dryly comic, offbeat, andvanchored by dual performances from Karen Gillan that are subtly disparate but equally deadpan and finely tuned.
View More Dual (dir. Riley Stearns): Film review
You Won’t Be Alone (dir. Goran Stolevski): Film Review
“You Won’t Be Alone,” Goran Stolevski’s writing-directing feature debut, is something special. More than just “arthouse horror,” Stolevski’s film is a haunting meditation on identity, humanity, and how everything is relative, but also a sensory experience with some bloody innards. It’s unsettling, yet challenging and magical, and if you just let it wash over you, the spell is rewarding.
View More You Won’t Be Alone (dir. Goran Stolevski): Film Review
The Outfit (dir. Graham Moore): Film review
Author Graham Moore (who adapted his book The Imitation Game for the Benedict Cumberbatch-starrer of the same name) makes his writing-directing debut, and he decidedly shows a lot of skill in ratcheting up tension and claustrophobia in mostly one room for one long night. It’s a little like Hitchcock’s Rope in that way, but with more sharp objects.
View More The Outfit (dir. Graham Moore): Film review