“I am simply here to dance,” says Faustin Linyekula.
Four minutes of prolonged eye contact can incur a boost of oxytocin, a chemical that decreases stress and instills positive emotions.
An exploration of divorce and disconnection in the California desert.
A testament to what Fringe can do: defy genre, defy theme, defy medium, and somehow still manage to be cohesive and emotionally haunting
Wilson and his dancers beautifully articulate humankind’s desire to belong.
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
Reggie Wilson spoke with FringeArts about finding inspiration for CITIZEN in the life and work of Zora Neale Hurston, his family history, and his travels as well as the evolution of the piece.
Dance takes center stage this year at the 20th Fringe Festival with 6 curated performances and over 27 Independent Fringe Fringe shows.
TOMMY AND ME does a lot to make itself likable. Didinger’s love for McDonald is evident and provides a herculean effort towards making the play work. It’s incredibly tempting to allow yourself to be swept away in a sea of sincerity.
Female friendships, aggression, integrity, Lisa Frank, light-up sneakers, and more.
The most talked-about play from the 2015 Fringe is revived in an equally stellar production at FringeArts.
Jenn Kidwell talks history and roleplaying ahead of the relaunch of UNDERGROUND RAILROAD GAME at FringeArts.
We caught up with Bhob Rainey to learn more about his background and his work on O Monsters First Draft.
In a tightly focused and intense performance, Vecino executed a collection of gestures, poses, and movements mixed up “live, like a DJ”.
Colombian choreographer and director Luis Garay brings Maneries, performed by (and created for) the fiercely captivating dancer Florencia Vecino, to FringeArts April 14-16, 2016
A smart, funny dance piece tracking a relationship, or relationships, through a series of well-expressed interactions