If you only visit one art show this month, make it Bucks County’s Kings Oaks Farm in Newtown
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Author: Lev Feigin
Lev Feigin is a Philadelphia writer, flâneur, biker and kayaker. He holds a Ph.D. in Comparative Literature from the CUNY Graduate Center and is an alumnus of The Writers Institute at the Graduate Center.
Utopias on the Outskirts: Celia Reisman’s suburban landscapes at Gross McCleaf Gallery
Celia Reisman transforms American suburbs into landscapes of the mind in four stages.
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SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
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THE ENCHANTED (IRC): a great revival speaks to our times
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
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Intimate Associations at IMMINENCE: Hollis Heichemer’s Stratigraphy of Color at Gross McCleaf
Hollis Heichemer’s Imminence exhibition at the Gross McCleaf Gallery presents 16 works by the artist – the majority on Mylar, two on canvas.
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[book review] MAD TO LIVE: Randall Brown’s Literary machines of compression
Flash fiction has established itself as a literary genre whose popularity only grows as our attention span shrinks
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EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49
A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
View More EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49
THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
THE CHAIRS (Idiopathic Ridiculopathy Consortium): 2016 Fringe review 8
IRC presents a must-see revival of Eugene Ionesco’s 1952 classic THE CHAIRS, a defining work of the theater of the absurd.
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VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT (dir. Ada Ushpiz): Movie review
For many Arendt is remembered by a single phrase — “the banality of evil”, a concept she coined in her controversial book from the 1960s Eichmann in Jerusalem.
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[24.2] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review
ENLIGHTENMENT ON E FLOOR NORTH explores the absurdities of employment in the most unlikely of places – the galleries of an art museum where four security…
View More [24.2] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review