Soaring out of the gates with effortless acrobatics, Tribe of Fools’ robust remount of ANTIHERO is a true theatrical powerhouse
Museums are always looking for ideas to bring new visitors to aging attractions, and in ARTSHIP OLYMPIA Independence Seaport Museum has found a charming, fringey way.
Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
Comedy for people who want to have a little extra to think about after the show
Love is the bloodiest sport of the all
A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
To move towards one another through the “sadness and pain of blues and seas.”
Fringe is like Christmas without all the bullshit and not just because of all the hanging balls you see.
Tribe of Fools returns to Fringe with a satirical look at the culture of comic book heroes.
The two pieces foment a rowdy audience that’s comfortable interacting and even going up on stage to help the chosen one achieve her mission
Wilson and his dancers beautifully articulate humankind’s desire to belong.
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
If upon arrival it feels as though you’ve stumbled into a new age-y meet-up, that’s because in a way it is
PANGAEA: A FOLK OPERA doesn’t seem to ask a question, but gives a heartfelt answer
Not without its own brand of social commentary, but mainly it’s just one damn good time
Five wicked young women flavor this theatrical piece like a craft brew.
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans in summer ensues. An ensemble…
A fine Fringe premier for choreographer Jillian Glace and her performers.