Dance

Coverage of dance, movement, and related performance art in Philadelphia.

ID:3 (HYBRIDGE): The Name of the Beast

Article courtesy of Art Attack Philly, in association with Drexel University and the Knight Foundation. See the original article here. In a way, art is always about identity. The earliest art, cave paintings,…

john rosenberg

A NICE AND FRESH sendoff: John Rosenberg’s last show in Philadelphia

Phindie has been a long-term champion of playwright John Rosenberg and his Hella Fresh Theater. There are pretty much no companies in Philadelphia focused on full seasons of original work, certainly none of the caliber reached in Rosenberg’s best plays, 2013′s Hannah and 2012′s Alp d’Huez.

Photo: Johanna Austin

Egg Cartons, Cotton Candy, and Living Sculpture

Cotton candy for all, toppling egg cartons and cell phones playing songs by P!nk and Ed Sheeran. Miller Rothlein’s newest work, From the Spot Where We/You/I Stand (Stood), invited the audience directly into the performing space. The invisible wall between viewer and performer was broken; human interaction was foregrounded and the viewer was given an active voice in the work.

Tommie Waheed Evans courtesy of PHILADANCO

Tommie Waheed-Evans unveils Aubade

Escaping the winter blues with tour stops in Los Angeles earlier this month touring the James Brown Project, Philadanco’s dancers were back at their home studios in Philly last weekend, rehearsing upcoming performances for their spring series here and an ensemble of five women preparing for a ballet to be performed in Verizon Hall onstage with the Philadelphia Orchestra this weekend.

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Free Beer. Have I said enough? Scratch Night returns at FringeArts

For several years now, the FringeArts Scratch Night series has been an in-the-know favorite on the Philadelphia performing arts scene. Each Spring and Summer in the lead up to the Fringe Fest, the organization hosts a monthly event to showcase in the works performances by LAB fellow, Fringe favorites, and other local artists.

Mutter Museum Life Between

Life Between the Bones: The Mütter Museum presents its first-ever dance performance

The Mütter Museum, with its macabre glass cases of organs and bones, makes for an unlikely venue for a dance performance. However, this week only, choreographer Jae Hoon Lim takes on the challenge with his new work and master’s thesis, Life Between.

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Seven dancers. 200 Surveys. 4-inch Leather Boots. SORRY, I’M JUST HUMAN.

Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.

Jesse Sani and Caili Quan rehearse James Gregg's "Head in the Clouds". Photo by Bill Hebert

Make a date with dance: BalletX Winter Series

If you still think of ballet as inaccessible formalist movement to stuffy classical music, you have not seen BalletX. With an inviting Winter 2014 program spanning Valentine’s Day, this is a great opportunity to make a date with dance.

Silent-View

So, Grandma Sets You Up on a Blind Date…

It stands to reason that pairing grandmothers (even fantasy ones) and a creative type like a dancer or composer would result in a match made in heaven. At Thirdbird’s BLIND DATES, we find just that in an improvisational sampler platter. With the help of a bingo-ball spinner, our hosts, Fantasy Grandma randomly pair up dancers and musicians who have been assigned numbers corresponding with the balls….

Gabrielle Revlock Confetti

CONFETTI (Gabrielle Revlock): Duets Galore in a Hardware Store

Gabrielle Revlock’s latest work Confetti, a medley of duets that featured Revlock dancing with her peers, her mother and an eight-year old, offered a dynamic and colorful assortment of relationships with her varying partners.

hella-fresh-theater

You’re Probably Missing Out: A tour of Kensington’s performance spaces

The performance spaces which have made Kensington their home (Walking Fish Theatre, Hella Fresh, Mascher Space, and fidgetspace) are remote, both financially and physically, from the city, yet still close enough to converse artistically with downtown venues and even to attract funding.

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Care to Dance? The Philadelphia dance scene is alive and well in 2014, catering to classical palates and avant-garde tastes alike

The Philadelphia dance scene is alive and well in 2014, bringing forth a series of diverse performances catering to classical palates and avant-garde tastes alike

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Thresholds in the fourth dance wall or please stand by for the next movement

Published by The Dance Journal. Reprinted by kind permission The audience was migrated from the second floor community room in Neighborhood House up a back stairwell and through door of the…

The Nutcracker. PA Ballet.

Dance ornaments sparkle in Pennsylvania Ballet’s NUTCRACKER (2013)

Pennsylvania Ballet is only one of just a few companies licensed to do Balanchine’s 1954 classic ballet.

Brian Sanders' JUNK in a pre-production photo of a scene from SNOWBALL (Photo credit: Ted Lieverman)

SNOWBALL (Brian Sanders’ JUNK): A Wondrous Urban Fairytale for Kids of All Ages

The latest installment of SNOWBALL, the annual wintertime extravaganza by Brian Sanders’ JUNK, is a must-see world-premiere holiday delight for the whole family. Combining a post-modern urban narrative with a charming “Winter Wonderland Furrytail,” the engaging two-act show will keep you smiling, gasping, oohing and aahing at its heartwarming moral, Sanders’ stunning choreography, and his acclaimed dance troupe’s extraordinary finesse.

Koresh Asya Zlatina and Jessica Daley. photo by Frank Bicking

THROUGH THE SKIN (Koresh): Flesh and the dance devil

The body beautiful is an aspect of dance that can be easily exploited. Two shows, from opposite ends of the dance spectrum, featuring scantily clad dancers, challenge audiences not to objectify – Koresh Dance’s Through the Skin and Flashdance, the Musical. In contrast to the sexy poster art for both show, they both un-voyeuristically sing the body electric.

Matthew Neenan

BalletX’s Matthew Neenan downshifts for THERE I WAS

Earlier this month BalletX dancers had their pointe shoes ready for a rehearsal for Matthew Neenan’s ballet There I Was. The piece showcases how inventive, within and out of specific pointe shoe classicism, Neenan can be. Even though it is weeks before the opening There I Was looks ready, Neenan only moved around to cue a specific music change, apologizing to the dancers for the pause.

Photo: Kathryn Raines

FALLING INTO HERE or THE IMPORTANCE OF NORMAL (The Naked Stark/ First Person Arts): Dance review

Fractured. Awry. Akilter. There is frighteningly little cohesion and order (or shall we call it normalcy?) in the dark visual and kinesthetic world that Katherine Kiefer Stark presents in Falling into Here or The Importance of Normal. The performance is a welcome dance work among the talking heads presentations of the 12th annual First Person Arts Festival, a 10-day affair dedicated mostly to autobiographical narrative expressed through storytelling and song.

Photo by Yi Zhao

THE GARDEN (Nichole Canuso Dance Company): Offer your hand…

Six audience members isn’t an empty house; that’s the full load for Nichole Canuso Dance Company’s THE GARDEN. The basement below us is an expansive concrete stretch, a network of small rooms and squared pillars, and we’re sent down into a smallish room scattered with chairs. We’re invited to sit wherever we like.

Emily L. Gibson and Steve Lippe in MAKING the WORLD a BETTER PLACE through MURALS.

NICE AND FRESH November (SmokeyScout): Get punched in the face by art at SmokeyScout Productions’ NICE AND FRESH

SmokeyScout is named after artistic director Josh McIlvain’s cats: Smokey and Scout. The program of the November NICE AND FRESH thanks them, along with Moving Arts of Mount Airy (MAMA), the intimate,…