NOT YOUR MOTHER’S MOTH (Megan Flynn & Teresa VanDenend Sorge): Fringe Review 64

Excerpted from thINKingDANCE. Republished by kind permission.

For a moment I thought I was in my grandmother’s house or meeting a close friend for tea. The performance space was quaint. The audience sat close to each other, separated from the stage by a line of pillows on the floor. The sunset cast a warm glow and the cool September breeze gently blew through the door.

Not-Your-Mothers-Moth_Megan-Flynn-Teresa-VanDenend-Sorge-300x225Everyone knows endearing (and sometimes annoying) remembrances related by elders. “When I was your age, gas was only twenty cents a gallon!” But rather than anecdotal facts, Megan Flynn and Teresa VanDenend Sorge’s NOT YOUR MOTHER’S MOTH recounted a history of lived experiences. Each piece reflected a cultivation of recollections. Each movement harbored significance. A curve of the arm referenced Grandma’s cookies on Sundays. An inward twist of the leg invoked the fear of asking the teacher for bathroom privileges. Deeply embedded memories were compacted into single gestures. Flynn and VanDenend Sorge captured the spirit of the Fringe season by experimenting within their art form as they intimately shared their pasts. Read the full article on [Moving Arts of Mount Airy, 6819 Greene Street] September 13-14, 2014;

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