Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning…
View More IT’S SO LEARNING is Even Berserker!
Tag: FringeArts
A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories
In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.
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SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
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AT HOME WITH THE HUMORLESS BASTARD (Annie Wilson): What’s left behind
The boundaries are always open.
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Dance in Sketch: More from Annie Wilson’s AT HOME WITH THE HUMORLESS BASTARD (FringeArts)
Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.
View More Dance in Sketch: More from Annie Wilson’s AT HOME WITH THE HUMORLESS BASTARD (FringeArts)
Dance in Sketch: AT HOME WITH THE HUMORLESS BASTARD
“Is this a dance performance or a social experiment?”
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JEAN & TERRY (FringeArts): A mystery of the heart
What exactly is the relationship between Jean and Terry?
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Theater in Sketch: JEAN & TERRY
Philadelphia artist Melissa Krodman and long-time collaborator Kelly Bond enter the mind’s eye for an experimental new play.
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Dance in Sketch: Jérôme Bel (FringeArts)
Witnessing Jérôme Bel’s dance I captured the representation of a baroque drama, an existential dance, and light and sound personified.
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LE CARGO (Faustin Linyekula) 2016 Fringe review 89
“I am simply here to dance,” says Faustin Linyekula.
View More LE CARGO (Faustin Linyekula) 2016 Fringe review 89
FOUR MINUTE BOOTH (Gatto + Hirano): 2016 Fringe review 75
Four minutes of prolonged eye contact can incur a boost of oxytocin, a chemical that decreases stress and instills positive emotions.
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PANDÆMONIUM (Nichole Canuso Dance Company): 2016 Fringe review 42.2
An exploration of divorce and disconnection in the California desert.
View More PANDÆMONIUM (Nichole Canuso Dance Company): 2016 Fringe review 42.2
PANDÆMONIUM (Nichole Canuso Dance Company / Early Morning Opera): 2016 Fringe review 42.1
A testament to what Fringe can do: defy genre, defy theme, defy medium, and somehow still manage to be cohesive and emotionally haunting
View More PANDÆMONIUM (Nichole Canuso Dance Company / Early Morning Opera): 2016 Fringe review 42.1
CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
Wilson and his dancers beautifully articulate humankind’s desire to belong.
View More CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
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THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
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THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Belonging and not wanting to: FringeArts interview with Reggie Wilson
Reggie Wilson spoke with FringeArts about finding inspiration for CITIZEN in the life and work of Zora Neale Hurston, his family history, and his travels as well as the evolution of the piece.
View More Belonging and not wanting to: FringeArts interview with Reggie Wilson
The Ultimate Guide to Dance at the 2016 Fringe Festival
Dance takes center stage this year at the 20th Fringe Festival with 6 curated performances and over 27 Independent Fringe Fringe shows.
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TOMMY AND ME (Theatre Exile): There am I in the midst of them
TOMMY AND ME does a lot to make itself likable. Didinger’s love for McDonald is evident and provides a herculean effort towards making the play work. It’s incredibly tempting to allow yourself to be swept away in a sea of sincerity.
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