Philadelphia Ballet opens its 2022-2023 season with Ben Stevenson’s Cinderella. The production is dazzling and powerful, it may ALMOST let you believe in a fairytale. …
View More CINDERELLA (Pennsylvania Ballet): Ben Stevenson’s classic choreography
Two meditations on misfortune show us what it is to be “laughing wild amid severest woe.”
View More New York Reviews: LEOPOLDSTADT and COST OF LIVING:
Actor and audience favorite Ben Dibble is set to take the stage in Walnut Street Theatre’s ROCKY, The Musical.
View More Actor Ben Dibble steps into the ring in ROCKY, The Musical
Jersey Girl Stefanie Londino is coming to Philly with the cast of Annie.
View More Little Girls Everywhere: Stefanie Londino in ANNIE
Due to the pandemic, it had been many months since I’d visited the Sedgwick Theater in Germantown. October 1 was opening night for The Chairs…
View More THE CHAIRS (Quintessence): 60-second review
Philadelphia Ballet will be performing Cinderella at the Academy of Music, for 10
performances only, October 13-23, 2022.
This is one for the life list if you’re an opera fan.
View More OTELLO (Opera Philadelphia): A dilettante at large reviews
Story as Algorithm. In Metaphor, Denise McCormack encourages us to be the hero of our own story and to acknowledge where others are in their story.
View More METAPHOR (Denise McCormack): 2022 Fringe review
Is Trust given freely, or earned over time?
View More Fringe in Sketch: FAIR TRADE (Jessica Creane & Yannick Trapman-O’Brien)
It’s a tragedy that more audiences will not have a chance to enjoy the production.
View More ROMEO AND JULIET (OJ Productions): 2022 Fringe review
Reception manages to be thought-provoking and even heartwarming, a testament to Gillette’s prowess as a performer.
View More RECEPTION (Nick Gillette Improv): 2022 Fringe review
Okay: A drag queen show for children.
View More LATE NIGHT SNACKS FAMILY SHOW (Bearded Ladies): 2022 Fringe review
How many bodies make a body of law? Corpus is a play at the intersection of legal interpretation and human experience.
View More A Play at the Intersection of Law and Brutality: CORPUS opens this week
This will be wild. Expect bits. You will see bits.
View More Fringe in Sketch: BIG ASS BITTIES PRESENTS… (Sarah Knittel)
Tom Stoppard’s newest play Leopoldstadt is coming to New York, and once again he is being talked about as if he were the second coming…
View More TRAVESTIES (Lantern): A play of ideas married to farce
Lust for exposure and success turns… TRAGIC. Set in an underground shopping mall turned nightclub, Junk’s newest experience, Luster, reveals the twisted nature of reality show…
View More Fringe in Sketch: LUSTER (Junk)
This play-within-a-play about a play takes place on the Bluver Theatre’s tiny stage, brightly lit, although called dim by the characters. The audience, up close…
View More Watching THE TWO-CHARACTER PLAY (OUT-CRY) by Tennessee Williams
A little bit naughty at times, semi-Shakespearean lingo is mixed with a good deal of TomFoolery.
View More Romeo & Juliet in a Bar (Shakespeare on Tap): 2022 Fringe review
Just as the theater company is about to celebrate their 100th stage performance of Agatha Christie’s “The Mousetrap,” a body turns up backstage.
View More See How They Run (dir. Tom George): Film review
Unless you know Geoff Sobelle’s other works, you’ve never seen anything like this.
View More FOOD (Geoff Sobelle): 2022 Fringe review