A punk-horror Fringe show which engages the audience and keeps the us engaged
Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious
Casting actors you don’t know is like getting a dog from the animal shelter. Shit is cool for a while but then they flip the fuck out and bite you or run away.
Who would want to read their middle school diaries? The members of AntiGravity Theatre Project, that’s who.
It feels like when I’ve rowed out to the middle of a lake alone on a cloudy-still day and suddenly I realize I’m in the middle of the lake.
Phindie met Katherine and Sarah online to get the lowdown on their collaborative project
Philadelphia’s best revue of new performing arts returns for another season January 13 and 14, 2017, at Moving Arts of Mount Airy.
The new series kicks off with shorts from Sam Tower/ Plant Me Here, The Naked Stark, John Rosenberg/ Hella Fresh, and Josh McIlvain/ SmokeyScout.
Impressive theatricality in an imperfect production of Orwell’s allegory of the Russian Revolution and Stalin’s real-life dystopia.
Pig Iron APT Class of 2016 show May 27 & 28, 2015.
This month features circus heroes Almanac, Philadanco alum Lauren Putty White, a short by SmokeyScout artistic director Josh McIlvain, and the return of prodigal playwright John Rosenberg.
Exclusive recording of John Rosenberg’s CANA OF GALILEE, a full-length play only performed once, in a living room in Philadelphia, April 2014.
The Idiopathic Ridiculopathy Consortium gives local audiences the chance to see Christopher Durang at his comic best in a series of seldom-performed shorts, THE DURANG SHABANG! in two performances (6pm and 8pm) at L’Etage Cabaret, on Sunday, May 18, 2014.
Fresh from the inaugural weekend of NICE AND FRESH, I’m heartened to report that SmokeyScout Productions (founded by Josh McIlvain and Deborah Crocker in 2008) now offers something new and…
Aaron Cromie, the director of Philadelphia Shakespeare Company’s academy performance of TWO NOBLE KINSMEN, is one of this city’s best directors. His puppet/live actor version of Moliere’s Scapin at the…
Josh McIlvain’s RETURN OF CONFESSIONS OF A PLATE AND SHOE should be put in a time capsule and used by future generations as a how-to manual titled “How-to-produce-the greatest-show-ever.” Okay,…