Interview with Dieter Rita Scholl, performing in DO YOU WANT A COOKIE?
International Fringe 2018: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Henrik Eger welcomes Fringe artists and artworks from around the world.
Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
Part 2 of Henrik Eger’s interview with Bob Weick.
“When I step on the stage as Marx, I directly challenge the system”: Interview with Bob Weick, Part 1
Bob Weick has taken Howard Zinn’s MARX IN SOLO all over the U.S. He’s now taking it to England
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
A comedy little known in its native Britain has become a cult favorite in Germany.
To balance the traumas of life—from a difficult childhood through a challenging adulthood—a man writes down every brilliant thing, every wish he can think of.
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
How would you feel if your entire life was summed up by a single number? A suicide statistic.
Even Talking about Suicide Is Difficult: Nine playwrights on collaborative playwriting with Elephant Room Productions
The subject of suicide is so taboo that few playwrights tackle the topic, and even fewer theater companies present a whole evening of plays about suicide.
“The American theater is chock full of inward looking plays that fester over small, personal family dramas”
Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1)
Interview with J.T. Rogers on the journey from PlayPenn to Broadway.
Former PlayPenn interns come into their own as theater professionals.
PlayPenn interns describe what its like to work with top playwrights.
Interning PlayPenn, part 1: What theater students do behind the scenes of the playwriting conference
We hear from PlayPenn interns about the daily goings on of the conference.
Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES
A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.