Henrik Eger interviews the star of Quintessence’s KING LEAR
View More Between chaos and quiet passion: Interview with Robert Jason Jackson as KING LEAR (Quintessence)Author: Henrik Eger
“Passionate iconoclast and maverick”: Interview with Robert Smythe, Ahab in Hedgerow’s MOBY-DICK
Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab.
View More “Passionate iconoclast and maverick”: Interview with Robert Smythe, Ahab in Hedgerow’s MOBY-DICKJOHNNY DEPP (Val Dunn & Jenna Kuerzi): A Valentine date with late-stage capitalism
I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in…
View More JOHNNY DEPP (Val Dunn & Jenna Kuerzi): A Valentine date with late-stage capitalismThe Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
View More The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?An American soldier in bombed-out Germany: The Message of the Christmas Night
A true story by Margret Hatting, translated from the German by Henrik Eger
View More An American soldier in bombed-out Germany: The Message of the Christmas NightWINTER WONDERETTES (Walnut Street): The lovely ditzies of winter
Henrik Eger’s entertaining, yet sensitive review of a fun holiday show.
View More WINTER WONDERETTES (Walnut Street): The lovely ditzies of winter“Mentors and protégés exist everywhere”: Interview with playwright Donald Margulies on COLLECTED STORIES
Donald Margulies talks about COLLECTED STORIES and more
View More “Mentors and protégés exist everywhere”: Interview with playwright Donald Margulies on COLLECTED STORIESRemembering Joel Markowitz, founding editor of DC Metro Theater Arts
An open letter to a theater legend.
View More Remembering Joel Markowitz, founding editor of DC Metro Theater ArtsAmerica the Beautiful, America the Ugly: An open letter to a German visitor
Henrik Eger considers PTC’s Sweat, Walnut’s Holiday Inn, and the state of American culture.
View More America the Beautiful, America the Ugly: An open letter to a German visitorMEDEA, A Woman in Crisis: Interview with Jennifer Summerfield
Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.
View More MEDEA, A Woman in Crisis: Interview with Jennifer SummerfieldTheater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.
View More Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVEBerlin to Broadway, a Musical Voyage with Bertolt Brecht and Kurt Weill: Cast interview
This Fringe, the Department of Theatre and Dance at West Chester University of Pennsylvania (WCU) presented Berlin to Broadway with Kurt Weill, a Musical Voyage,with a cast from the Theater and Drama Department.
View More Berlin to Broadway, a Musical Voyage with Bertolt Brecht and Kurt Weill: Cast interviewGerman Cabaret in Philadelphia: Interview with Berlin’s Dieter Rita Scholl
Interview with Dieter Rita Scholl, performing in DO YOU WANT A COOKIE?
View More German Cabaret in Philadelphia: Interview with Berlin’s Dieter Rita SchollInternational Fringe 2018: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Henrik Eger welcomes Fringe artists and artworks from around the world.
View More International Fringe 2018: A welcome to theater from around the world coming to the Philadelphia Fringe FestivalTouring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
Part 2 of Henrik Eger’s interview with Bob Weick.
View More Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2“When I step on the stage as Marx, I directly challenge the system”: Interview with Bob Weick, Part 1
Bob Weick has taken Howard Zinn’s MARX IN SOLO all over the U.S. He’s now taking it to England
View More “When I step on the stage as Marx, I directly challenge the system”: Interview with Bob Weick, Part 1“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
View More “I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik EgerRemembering TIME REMEMBERED: Interviews with the IRC cast
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
View More Remembering TIME REMEMBERED: Interviews with the IRC castWhy Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
View More Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOTDinner for One: The greatest cult film you’ve never heard of
A comedy little known in its native Britain has become a cult favorite in Germany.
View More Dinner for One: The greatest cult film you’ve never heard of