On August 26, I attended the IN THE HOUSE Performance Art Party for 2017 Fringe show MUJERES.
View More Fringe in Sketch: Previewing MUJERES by Gavino + CarbonellAuthor: Chuck Schultz
Fringe in Sketch: Previewing STORM by Asya Zlatina and Dancers
Phindie can vouch for Asya Zlatina’s STORM because we were lucky enough to sit in on a rehearsal for the emotion-capturing piece.
View More Fringe in Sketch: Previewing STORM by Asya Zlatina and DancersParty in Sketch: Diner en Blanc Philadelphia 2017
The White Party is an annual event held in a secret location, and this year it was held at Franklin Square.
View More Party in Sketch: Diner en Blanc Philadelphia 2017Theater in Sketch: TOMMY AND ME (Theatre Exile)
Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.
View More Theater in Sketch: TOMMY AND ME (Theatre Exile)Theater in Sketch: CORIOLANUS (Shakespeare in Clark Park)
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,
View More Theater in Sketch: CORIOLANUS (Shakespeare in Clark Park)Ballet in Sketch: Previewing BalletX’s Summer Program
We get the sense that every brush with every passerby contains remarkable potential.
View More Ballet in Sketch: Previewing BalletX’s Summer ProgramTheater in Sketch: THE ROSES IN JUNE (Seagull Productions)
Chuck Schultz reviews in words and image.
View More Theater in Sketch: THE ROSES IN JUNE (Seagull Productions)Theater in Sketch: HIR (Simpatico)
Simpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity
View More Theater in Sketch: HIR (Simpatico)Theater in Sketch: HOW TO USE A KNIFE (InterAct)
The InterAct Theater goes behind the scenes of a working kitchen
View More Theater in Sketch: HOW TO USE A KNIFE (InterAct)Dance in Sketch: Anne-Marie and Dancers Company
This temporal moment is an instant visual image that leaves us with something once the performance is over.
View More Dance in Sketch: Anne-Marie and Dancers CompanyTheater in Sketch: PEACEABLE KINGDOM (Orbiter 3)
Rebecca Wright brought out the cute and cuddly demeanor of the cast while still driving home a deep dark message
View More Theater in Sketch: PEACEABLE KINGDOM (Orbiter 3)Theater in Sketch: THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio)
The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie…
View More Theater in Sketch: THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio)Dance in Sketch: KUN-YANG LIN/ DANCERS
The emotional battle to for the strength to re-experience the trauma took perseverance.
View More Dance in Sketch: KUN-YANG LIN/ DANCERSFringe in Sketch: SCRATCH NIGHT (FringeArts)
At SCRATCH NIGHT, the change from one artist to another is exciting.
View More Fringe in Sketch: SCRATCH NIGHT (FringeArts)Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)
The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.
View More Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)Dance in Sketch: Jessica Lang Dance (NextMove)
The program was quick and accumulative, with short pieces creating a common theme.
View More Dance in Sketch: Jessica Lang Dance (NextMove)Theater in Sketch: ANNA (EgoPo)
A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
View More Theater in Sketch: ANNA (EgoPo)Theater in Sketch: THE KING AND I (Academy of Music)
HE KING AND I is set in a time period of colonies and colonials.
View More Theater in Sketch: THE KING AND I (Academy of Music)Dance in Sketch: LES BALLETS TROCKADERO DE MONTE CARLO (Prince Theater)
Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.
View More Dance in Sketch: LES BALLETS TROCKADERO DE MONTE CARLO (Prince Theater)Opera in Sketch: DOCTOR ATOMIC (Curtis) + BLUEBEARD’S CASTLE (Philadelphia Orchestra)
The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
View More Opera in Sketch: DOCTOR ATOMIC (Curtis) + BLUEBEARD’S CASTLE (Philadelphia Orchestra)