Isabella Rossellini Brings GREEN PORNO to World Cafe Live
Inspired by her love of animals and her concerns about unsound environmental practices, Rossellini’s well-researched work is both funny and educational.
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CAUGHT (InterAct): The truth is just a lie
CAUGHT marks the first entry into InterAct’s season of all-new plays. What a great start.
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November 2014 Showcase (ETC Performance Series): Camaraderie, innovation, and tap
For the past 8 years, the ETC. Performance Series has provided local dancers with a supportive environment in which to experiment, try out new ideas and strut their stuff.
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Tenth Annual Philadelphia Improv Festival
Apparently, November is Comedy Month in Philadelphia. That’s funny! Kicking off the festivities is the tenth annual Philadelphia Improv Festival (PHIF) November 4-8, 2014,…
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GREAT EXPECTATIONS (Arden): Exceeds all expectations
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.
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Scratch Night returns to FringeArts
FringeArts’ monthly Scratch Night is a great place to see inventive performance art in an embryonic form.
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ASKING FOR IT (Simpatico): You asked for it, you got it
Want to hear rape jokes, see nudity, and get doused with reality at a “comedy” show? You asked for it.
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IRC’s presents some Durang classics
Featuring spoofs of American theater luminaries, IRC’s 2008 hit A STREETCAR NAMED DURANG returns this month for a brief seven-show run.
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Philadelphia Theater Calendar: November 2014
January | February | March | April | May | June July | August | September | October | November | December Arcadia. By Tom Stoppard. September 25-November 2, 2014. Lantern Theater Company, 923 Ludlow Street. lanterntheater.org. As You Like It. By William Shakespeare. October 1-November 8, 2014.…
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ST. VINCENT (dir. Theodore Melfi): Movie review
The wastrel with a heart may not be a new character, but Bill Murray plays Vince with a satisfied nonchalance that makes this cliché watchable.
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THE SYRINGA TREE (Theatre Horizon): After all, chameleons are native to South Africa
You can’t have a happy play about apartheid, but the solemn subject matter presents complex ground navigated beautifully with two actors and a sparse stage.
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STOKER’S DRACULA (Josh Hitchens): 60-second review
Josh Hitchens delivers a spine-chilling tour de force in his solo dramatization of one of the world’s most terrifying horror stories.
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“The Experiment”, part 3: ARCADIA (Lantern)
Michael Fisher continues his multi-part critical consideration of the Lantern Theater Company’s ARCADIA.
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THE ROCKY HORROR PICTURE SHOW (Bucks County Playhouse): 60-second review
In true B-movie fashion, the show provides it all – song, dance, drama, comedy, and of course, utterly enjoyable debauchery.
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HAMLET (Hedgerow): The play’s the thing
I have some friends who think William Shakespeare is the greatest writer in the English language, but they don’t like going to the theater to…
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QUILLS (Luna): Sadism never felt so good
This brilliantly twisted, fictionalized look at de Sade’s time in the asylum of Charenton, is now getting a delightfully dark treatment on the new Luna Theater stage.
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The winners of the 2014 Barrymore Awards…
From about 100 entries, winners in twenty-two categories were selected by a panel of twelve judges and announced at the Barrymore Awards ceremony tonight. InterAct…
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Micro-interviews of some Micromaniacs: Manon Manavit, Julius Ferraro, Drew Carroll, Scott Rodrigue, James Wadsworth Strong, Shelby Jackson
Interviews with the creative team for Micromanias, a double-bill of original performances coming up this November at Kensington’s Little Berlin.
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DEATH OF A SALESMAN (EgoPo): A Jewish take on the classic of American theater
DEATH OF A SALESMAN is often seen as a cultural comment on the American Dream, in EgoPo’s production it is a moving look at a man, his son, and their personal tragedies.
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HENRY V (Philadelphia Shakespeare Theatre): Bringing history to life and making learning fun
Aaron Cromie brings his inimitable brand of wit and insight to this exuberant interpretation of HENRY V.
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