Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
An ambitious art project that seeks to combine multimedia, puppeteering, a baroque chamber orchestra and the singing of mezzo-soprano Ana María Ruimonte in a bilingual presentation.
View More THE CART OF LOVE/EL CARRO DEL AMOR (Ana María Ruimonte/Owlsong Productions): Fringe review 52Act II opens its new season with a bang with Bruce Graham’s ACCORDING TO GOLDMAN
View More ACCORDING TO GOLDMAN (Act II): How to write a scriptGo back to school with The Berserker Residents in this highly interactive ensemble-devised piece, in which you are the student and your teachers are berserk!
View More IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51Eleven skilled performers play crew or actors on the set of a Colombian TV show about 1980s American drug pilot and adventurer Barry Seal.
View More ALIAS ELLIS MACKENZIE (Lucidity Suitcase Intercontinental and CINEtica): 2015 Fringe review 50By looking into the cultural divides between white and black Americans, UNARMED confronts a culture which teaches us to kill.
View More UNARMED (Arielle Pina): 2015 Fringe review 49Two dance companies separated by 763 miles challenge audience to find connections between works created miles away.
View More 763 MILES (Annex Dance Company and Drye/Marinaro Dance Company): 2015 Fringe review 48A talented collective of students from Temple University present an original musical inspired by a maritime legend from historic Prince Edward Island.
View More TALE OF THE PHANTOM SHIP (Temple Theater’s Sidestage): 2015 Fringe review 47A fun coming-of-age musical using pop music of today and past decades, including Lady Gaga, Whitney Houston, Aerosmith, Rihanna, and more.
View More THE POP MUSICAL DIARY OF A GAY MAN (Christopher McGinnis): 2015 Fringe review 46With a dynamic set and powerful imagery, Gunnar Montana explores of the influence and power of religion in modern society.
View More PURGATORY (Gunnar Montana): 2015 Fringe review 45Find out what really goes on in the barn in this exciting foray into the country, as Brian Sanders’ JUNK exposes the true “American standard!”
View More AMERICAN STANDARD (Brian Sanders’ JUNK): 2015 Fringe review 44Philadelphia’s favorite absurdist theater troupe, Idiopathic Ridiculopathy Consortium, is Fringing all Festival long with Eugene Ionesco’s EXIT THE KING. Henrik Eger talks to the six…
View More Long Live Ionesco Actors: Behind the scenes with the cast of IRC’s EXIT THE KINGAs part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 6: DAMNED DIRTY APES! (Renegade)This hilarious musical workshop reading of an adapted 19th-century fairytale is a treat for all ages!
View More THE LIGHT PRINCESS (Tony Lawton with Ugly Stepsister): 2015 Fringe review 43Secret Life of Worms, America’s favorite sex ed teacher, singing sheep, foot-centric King of the Nerds fan fiction, and Jolly the Sperm Eating Horse.
View More PUPPETDELPHIA FRINGE SLAM (Leila and Pantea Productions): 2015 Fringe review 42This exploration of manhood shows how our cultural boundaries can restrict deep, meaningful connection.
View More STILL STANDING YOU (Pieter Ampe & Guilherme Garrido / CAMPO): 2015 Fringe review 41This tense, evocative play explores the eternal verities of war, sacrifice, and deceit.
View More A GREAT WAR (Iron Age): 2015 Fringe review 40With extremely short skirts, unabashed décolletage, and treacherously high heels, two women reminisce over shots at “the dirtiest of dirty dive bars”
View More CUZZO (Aleksandra Berczynski, Roza Money and MB): 2015 Fringe review 39This funny and crude bar show blends sketch comedy with popular drinking games.
View More BYE BYE LIVER: THE PHILADELPHIA DRINKING PLAY (Happy Hour Live): 2015 Fringe review 38An exciting multi-media collaboration reflects the operatic life and times of Andy Warhol and the Pop Sixties.
View More ANDY: A POPERA (Opera Philadelphia & The Bearded Ladies): 2015 Fringe Review 37THE BORDER delivers on all the essential aspects of Scandinavian life: there’s dry humor, a self-deprecating take on one’s life and, of course, melancholic dance music.
View More THE BORDER (Jo Strømgren Kompani): 2015 Fringe review 32.2