Addressing the issues of immigration and acceptance, Kun-Yang Lin/Dancers utilize dance and theatrics to explore the meaning of home.
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Author: Brendan Tetsuo
AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artist
This three-part series by Miguel Gutierrez explores the difficulties of the performer’s life and career.
View More AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artist
PARTITA 2 (Anna Teresa De Keersmaeker/FringeArts):
Anna Teresa De Keersmaeker and Boris Charmatz create a powerful structure, physically mapping time and space.
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SOUL PROJECT (David Zambrano): 2015 Fringe review 66
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
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2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
View More 2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
UNARMED (Arielle Pina): 2015 Fringe review 49
By looking into the cultural divides between white and black Americans, UNARMED confronts a culture which teaches us to kill.
View More UNARMED (Arielle Pina): 2015 Fringe review 49
PURGATORY (Gunnar Montana): 2015 Fringe review 45
With a dynamic set and powerful imagery, Gunnar Montana explores of the influence and power of religion in modern society.
View More PURGATORY (Gunnar Montana): 2015 Fringe review 45
STILL STANDING YOU (Pieter Ampe & Guilherme Garrido / CAMPO): 2015 Fringe review 41
This exploration of manhood shows how our cultural boundaries can restrict deep, meaningful connection.
View More STILL STANDING YOU (Pieter Ampe & Guilherme Garrido / CAMPO): 2015 Fringe review 41
GROWING INTO MY BEARD (I’ve Seen The Future): 2015 Fringe review 6
Bay Bryan comes out in this heartfelt story of a queer boy learning what is means to be a man.
View More GROWING INTO MY BEARD (I’ve Seen The Future): 2015 Fringe review 6