Theresa Rebeck’s thriller with a philatelical twist leaves a stamp of suspense on an appreciative audience.
View More MAURITIUS (Stagecrafters): Stamp of suspenseCategory: Reviews
EURYDICE (Villanova Theatre): Death is a continuation of life
Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
View More EURYDICE (Villanova Theatre): Death is a continuation of lifeBLACK MALE REVISITED (XPN/ Jaamil Kosoko): Fringe review 71
The dark space at the headquarters of Fringe Arts hosted a kaleidoscope of blackness. Sad blackness. Angry blackness. Rescued blackness. Incarcerated blackness. Lost blackness. Dead blackness.
View More BLACK MALE REVISITED (XPN/ Jaamil Kosoko): Fringe review 71THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71
A commentary on technology, as well as a platform for cultural and philosophic questions
View More THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
View More ALL MY SONS (People’s Light): A treat from the golden age of American theaterBELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70
Stein makes you notice things about the Iron Factory that you would not have noticed before
View More BELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70PHOTOGRAPH 51 (Lantern): Discovering the secret of life
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
View More PHOTOGRAPH 51 (Lantern): Discovering the secret of lifeSECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
Sothis devises experimental theater to call attention to collective and conscious freedom.
View More SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69BOING! (Vervet Dance): 2015 Fringe review 68
The Philadelphia Fringe Festival aims to celebrate innovation and creativity, and Vervet Dance certainly lived up to that goal
View More BOING! (Vervet Dance): 2015 Fringe review 68WALLS (Darcy Lyons): 2015 Fringe review 67
Covering everything from a cell wall to the Great Wall of China, WALLS explores of how walls—and the acts which build and destroy them—shape lives
View More WALLS (Darcy Lyons): 2015 Fringe review 67SOUL PROJECT (David Zambrano): 2015 Fringe review 66
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
View More SOUL PROJECT (David Zambrano): 2015 Fringe review 66TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
Three works focused on “the female embodied”.
View More TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64100 (Sam Henderson): 2015 Fringe review 63
100 is more than an elegantly written play told in random pieces—it’s an intense experience if you are open to it.
View More 100 (Sam Henderson): 2015 Fringe review 63Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
View More 2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
A clever new take on Shakespeare’s early romantic comedy imparts the flavor of 1960’s-70s Americana with live country-rock music and a multi-talented cast of actors/singers/musicians.
View More LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
Charles Dickens comes undead at this haunting site-specific show.
View More THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
Modern dance meets contemporary ballet in an expressive collaboration by two of Philadelphia’s top-notch companies.
View More INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59