Skip to content
Saturday, November 08, 2025
phindie

phindie

An independent take on Philadelphia theater and arts

about . contact . advertising . support

phindie
  • Reviews
  • Features
    • Interviews
  • Theater
  • Dance
  • Music
  • Film
  • Visual Arts
  • Podcasts

Category: Reviews

Music Reviews

THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival

Eri Yoneda September 22, 2017 No Comments

Opera Philadelphia challenges our preconceptions of opera with its O17 Festival

View More THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival
Fringe Festival Fringe reviews Reviews Theater

THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review

Christopher Munden September 22, 2017 No Comments

The Berserker Residents may parody the conventions of theater, but they clearly believe in its power

View More THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

AMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe review

Julius Ferraro September 22, 2017 No Comments

Tatarsky’s daring, inventive, rapid-fire wordplay is unlike anything you’ll see on a Philly stage

View More AMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review

Julia Taus September 22, 2017 No Comments

A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.

View More BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review

Cameron Kelsall September 22, 2017 No Comments

An inventive and terrifying take on a classic ghost story

View More THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

AIRSWIMMING (Half Key Theater Company): 2017 Fringe review

Julia Taus September 22, 2017 No Comments

Shuchman and Johnson take us through the trenches of psychological warfare with unforgettable performances

View More AIRSWIMMING (Half Key Theater Company): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

UBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe review

Christopher Munden September 21, 2017 No Comments

Alfred Jarry, Doctor Faustus, and Punch & Judy combine in hilarious puppetry.

View More UBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

BIND (Corinna Burns): 2017 Fringe review

Cameron Kelsall September 21, 2017 No Comments

An ambitious, unfinished work by one of Philadelphia’s best.

View More BIND (Corinna Burns): 2017 Fringe review
Two of several performers who spend some time on the floor during Michael Kiley's music-movement "experience" Close Music for Bodies. Photo by Adachi Pimentel.
Fringe Festival Fringe reviews Music Reviews

CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review

Carolyn Wyman September 21, 2017 1 Comment

Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness

View More CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

LABOR OF LOVE (The Waitstaff): 2017 Fringe review

Christopher Munden September 20, 2017 No Comments

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

View More LABOR OF LOVE (The Waitstaff): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

#COCKTAILPLAYS (Juniper Productions): 2017 Fringe review

Julia Taus September 20, 2017 No Comments

The best bartenders remember you by the names of the cocktails you drink.

View More #COCKTAILPLAYS (Juniper Productions): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

A BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review

Julia Taus September 20, 2017 No Comments

How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?

View More A BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

HELLO BLACKOUT! (New Paradise Laboratories): 2017 Fringe review

Rhiannon Laymon September 20, 2017 No Comments

Another other take on NPL’s HELLO BLACKOUT!

View More HELLO BLACKOUT! (New Paradise Laboratories): 2017 Fringe review
We-Shall-Not-Be-Moved o17 review opera philadelphia
Fringe Festival Fringe reviews Music Reviews

WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review

Christopher Munden September 19, 2017 No Comments

Relevant themes and ideas rarely seen on an opera stage

View More WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

THE RESISTIBLE RISE OF ARTURO UI (DBaD Productions): 2017 Fringe review

Kathryn Osenlund September 19, 2017 No Comments

The Fringe is an excellent place for companies to mount political protest plays

View More THE RESISTIBLE RISE OF ARTURO UI (DBaD Productions): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

BAD ACTIVIST (Humble Mumbles): 2017 Fringe review

Julius Ferraro September 18, 2017 No Comments

The story of a third-wave feminist / lefty peace activist unable to resist her essentially Orientalist fantasies

View More BAD ACTIVIST (Humble Mumbles): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

I, PEASEBLOSSOM (Curio): 2017 Fringe review

Dorie Byrne September 18, 2017 No Comments

I, PEASEBLOSSOM is a lark, even compared to its light-hearted inspiration, A Midsummer Night’s Dream.

View More I, PEASEBLOSSOM (Curio): 2017 Fringe review
Reviews Theater

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review

Cameron Kelsall September 18, 2017 1 Comment

The promise of “something for everyone” is both too little and too much.

View More A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review
Fringe Festival Fringe reviews Reviews Theater

A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review

Kathryn Osenlund September 18, 2017 No Comments

It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet.

View More A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review
Dance Fringe Festival Fringe reviews Reviews Theater

LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review

Dorie Byrne September 18, 2017 No Comments

A beautiful spectacle, full of humor, sadness, joy and handstands

View More LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review

Posts navigation

Previous page Page 1 … Page 30 Page 31 Page 32 … Page 103 Next page

Support Phindie operations
Donate Button with Credit Cards

Subscribe

* indicates required
/* real people should not fill this in and expect good things - do not remove this or risk form bot signups */

Intuit Mailchimp

Now Trending…

  • Famous Philadelphians: Cornelius “Connie Mack” McGillicuddy (1862–1956) by Christopher Munden
  • Dinner for One: The greatest cult film you’ve never heard of by Henrik Eger
  • THE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second review by Rudolf Schreiber
  • A Brief History of Early Publishing in Philadelphia by Christopher Munden
  • Dear White People: TWO TRAINS RUNNING is not a play about race by Trish McFadden
phindie | Designed by: Theme Freesia | WordPress | © Copyright All right reserved