Carbonell + Gavino give powerful and genuine explorations of motherhood.
View More MUJERES (Evalina Carbonell and Annielille Gavino): 2017 Fringe reviewCategory: Reviews
THEN THE TAIL (allendance): 2017 Fringe review
Allendance has again delivered a contemplative take on movement through effortless contact and a fresh atmospheric perspective on the intimate space that is the Iron Factory.
View More THEN THE TAIL (allendance): 2017 Fringe reviewALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe review
A friend “knows who you are and forgives you for it.”
View More ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe reviewCLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
CLOSE MUSIC FOR BODIES is sensual choral performance. Sixty-five of us follow the directions of the performers and position, and re-position, ourselves around the big, open…
View More CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review17C (Big Dance Theater): 2017 Fringe review
Big Dance Theater has built a reputation of articulate and speculative work, pairing theater and dance to dissect both historical and contemporary ideals. 17c is…
View More 17C (Big Dance Theater): 2017 Fringe reviewTRIAGE (Bent Antennae): 2017 Fringe review
TRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s…
View More TRIAGE (Bent Antennae): 2017 Fringe reviewLIBERTY CITY RADIO THEATRE (Bill Arrowood & Liberty City Radio Theatre): 2017 Fringe review
Old style ‘On’ and ‘Applause’ signs light up. The show starts.
View More LIBERTY CITY RADIO THEATRE (Bill Arrowood & Liberty City Radio Theatre): 2017 Fringe reviewTHE STORYTELLERS (Joy Madden): 2017 Fringe review
“We are storytellers,” Joy Madden begins.
View More THE STORYTELLERS (Joy Madden): 2017 Fringe reviewTHE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival
Opera Philadelphia challenges our preconceptions of opera with its O17 Festival
View More THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 FestivalTHESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review
The Berserker Residents may parody the conventions of theater, but they clearly believe in its power
View More THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe reviewAMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe review
Tatarsky’s daring, inventive, rapid-fire wordplay is unlike anything you’ll see on a Philly stage
View More AMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe reviewBYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review
A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.
View More BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe reviewTHE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review
An inventive and terrifying take on a classic ghost story
View More THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe reviewAIRSWIMMING (Half Key Theater Company): 2017 Fringe review
Shuchman and Johnson take us through the trenches of psychological warfare with unforgettable performances
View More AIRSWIMMING (Half Key Theater Company): 2017 Fringe reviewUBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe review
Alfred Jarry, Doctor Faustus, and Punch & Judy combine in hilarious puppetry.
View More UBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe reviewBIND (Corinna Burns): 2017 Fringe review
An ambitious, unfinished work by one of Philadelphia’s best.
View More BIND (Corinna Burns): 2017 Fringe reviewCLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness
View More CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe reviewLABOR OF LOVE (The Waitstaff): 2017 Fringe review
Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.
View More LABOR OF LOVE (The Waitstaff): 2017 Fringe review#COCKTAILPLAYS (Juniper Productions): 2017 Fringe review
The best bartenders remember you by the names of the cocktails you drink.
View More #COCKTAILPLAYS (Juniper Productions): 2017 Fringe reviewA BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review
How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?
View More A BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review