Ridiculous, Jennifer Blaine, L’Etage, Sorry, Safety By Numbers, Dirty Joke, Vicissitudes of Travel, Kate Gibson, Karen Getz, Lily Blaine, Paprika Plains
View More RIDICULOUS (Jennifer Blaine): 2018 Fringe review
Category: Reviews
KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review
There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
View More KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review
IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was
IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever.
View More IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was
WHITE FEMINIST (Lee Minora): 2018 Fringe review
A no-holds-barred look at the ways in which white feminists, with the best of intentions, don’t always walk even their own talk.
View More WHITE FEMINIST (Lee Minora): 2018 Fringe review
HAPGOOD (Lantern): Rising to the challenge of a gleefully complicated spy story
Hapgood is not just a spy story, it’s also a physics story
View More HAPGOOD (Lantern): Rising to the challenge of a gleefully complicated spy story
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review
WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries
View More WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review
ONE MAN’S TRASH: A CABARET ABOUT TREASURE (Tiny Rocks): 2018 Fringe review
The show is basically a pirate-themed excuse for these two twee indie folkies to sing their songs of love and independence.
View More ONE MAN’S TRASH: A CABARET ABOUT TREASURE (Tiny Rocks): 2018 Fringe review
AN UNOFFICIAL UNAUTHORIZED TOUR OF LOVE PARK (Rose Luardo/Kate Banford): 2018 Fringe review
The piece gets its appeal from the increasingly outlandish characters and an inventive absurdity that devolves into a game of fetch and walking construction barrels.
View More AN UNOFFICIAL UNAUTHORIZED TOUR OF LOVE PARK (Rose Luardo/Kate Banford): 2018 Fringe review
A VACATION (Poison Apple Initiative): 2018 Fringe review
Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.
View More A VACATION (Poison Apple Initiative): 2018 Fringe review
NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review
A punk-horror Fringe show which engages the audience and keeps the us engaged
View More NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review
SONG OF MY SELF-CARE (Jimmy Grzelak/PHIT): 2018 Fringe review
Gzelak finds the poetry and the absurd in the mundane.
View More SONG OF MY SELF-CARE (Jimmy Grzelak/PHIT): 2018 Fringe review
THE WILLIAM PENN STORY (Brotherly Love Theatre Company): 2018 Fringe review
The show literally ROCKS!
View More THE WILLIAM PENN STORY (Brotherly Love Theatre Company): 2018 Fringe review
B. FRANKLIN: WORDS MATTER (Vagabond Productions): 2018 Fringe review
An extraordinarily splendid opportunity for an informative and fun visit with Benjamin Franklin
View More B. FRANKLIN: WORDS MATTER (Vagabond Productions): 2018 Fringe review
BEHOLD HER (Half Key Theatre Company): 2018 Fringe review
Publicity for the show focuses on the question, “What is beauty?,” but the show itself goes much deeper.
View More BEHOLD HER (Half Key Theatre Company): 2018 Fringe review
THE ACCOUNTANT (Trey Lyford): 2018 Fringe review
Do the math. That’s what accountants do, right? The show is 75 minutes long. I looked at my watch about ten times, from which we…
View More THE ACCOUNTANT (Trey Lyford): 2018 Fringe review
SONGS OF WARS I HAVE SEEN (Heiner Goebbels): 2018 Fringe review
An imaginatively textured musical performance in which music, sounds, and speaking are of a piece
View More SONGS OF WARS I HAVE SEEN (Heiner Goebbels): 2018 Fringe review
CHAOS THEORY (Jessica Creane): 2018 Fringe review
The reliance on audience volunteers yields some interesting moments, framed in a series of games, but too often Creane pushes moments past humor.
View More CHAOS THEORY (Jessica Creane): 2018 Fringe review
CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review
CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.
View More CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review
AIRPORT OPENED (Brian Shapiro): 2018 Fringe review
AIRPORT OPENED takes you on an enjoyably elucidating human journey well worth experiencing!
View More AIRPORT OPENED (Brian Shapiro): 2018 Fringe review
ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review
ECCENTRICITIES is lush, loquacious and very typical Tennessee Williams: lonely, sex-starved women, men struggling against overbearing mothers, desperation everywhere.
View More ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review