PAC’s full production of the 17th century play retains the fun and accessibility of its Venture Reading series performances.
View More ’TIS PITY SHE’S A WHORE (PAC): 60-second review
Tag: David Pica
JULIUS CAESAR (Quintessence): Why must republics fall?
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
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THE WHITE DEVIL (PAC): A bloody good thriller
PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.
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SHITHEADS (Azuka): Nice ride
Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.
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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
View More KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
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THE LION IN WINTER (CCTC): A lion for all seasons
It’s the year 1183 and Henry II is disappointed in his sons and in love with a much younger woman. Some things never change.
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36 VIEWS (Lantern): Using artifice to reveal truths
Visually beautiful and compelling in its coherence, 36 VIEWS weaves these intellectual concepts on the uncertainty of art and life with a wholly original style.
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THE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subject
An intense and impactful bio-play on Bradley Manning makes its powerful American debut in a stellar production by Inis Nua.
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We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them
We asked the actors in this challenging production: Who is Bradley Manning to you?
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Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)
Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”
View More Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)
HAMLET (Delaware Shakespeare Festival): “’Fore God, my lord, well spoken . . .”
While “Something is rotten in the state of Denmark,” something is wonderful in the state of Delaware! With its unsurpassed examination of the human condition, profound emotions, and exquisitely beautiful language, HAMLET is considered by many (myself among them) to be the world’s greatest play by the world’s greatest playwright.
View More HAMLET (Delaware Shakespeare Festival): “’Fore God, my lord, well spoken . . .”