SAAYUJA (THE MERGING) (Annenberg): A celebratory blend of Bharatanatyam and carnatic music
Part storytelling and part culture sharing, Saayuja was more than the merging of art forms, it was the intermingling of cultures and politics
View More SAAYUJA (THE MERGING) (Annenberg): A celebratory blend of Bharatanatyam and carnatic musicMOTH (Azuka): Another teen angst drama
While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.
View More MOTH (Azuka): Another teen angst dramaLITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian times
An intimate site-specific adaptation of Louisa May Alcott’s beloved Victorian novel captures the humor and pathos of the book and the look and feel of the era.
View More LITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian timesSet the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic band
Phindie’s recent review of a concert by Philadelphia psychedelic band The Moon Jellies attracted many readers, so we decided to follow it up by interviewing the band members.
View More Set the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic bandBodies in Translation: Week Two: Trust Fails
Trisha Brown Company dancer Neal Beasley details the experience of setting Brown’s work on PA Ballet dancers.
View More Bodies in Translation: Week Two: Trust Fails[podcast] Jen Childs on I WILL NOT GO GENTLY
Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.
View More [podcast] Jen Childs on I WILL NOT GO GENTLYWorking with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2
In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical
View More Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2Jared Reed, a profile
“Every other actor I know had to convince their parents about why they should be in theater,” Reed says. “I never had that.”
View More Jared Reed, a profileTHE ELIXIR OF LOVE (Opera Philadelphia): Ever may the fruit be plucked
A uniformly wonderful cast provide bright, sunshiny fun in this lively, fast-moving, exuberant staging of Gaetano Donizetti’s romantic comedy.
View More THE ELIXIR OF LOVE (Opera Philadelphia): Ever may the fruit be plucked1776 And All That: Interview with director-choreographer Jennie Eisenhower
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
View More 1776 And All That: Interview with director-choreographer Jennie EisenhowerKRISSY FRAELICH (Arden Cabaret): 60-second review
Fraelich proves her mettle as a singer who can move as much as impress you.
View More KRISSY FRAELICH (Arden Cabaret): 60-second reviewSummer Tailgating: A guide to upcoming new work for theater lovers, likers, and makers
A list of summer pre-season new work tailgating essentials to get us pumped for the 2016/16 theater season.
View More Summer Tailgating: A guide to upcoming new work for theater lovers, likers, and makersTHE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pull
Something funny across the surface with dark issues riding just under it.
View More THE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pullNOTHING TO SEE HERE (Found Theater Company): Experience the chaos
At times, the play feels like a bad dream, at others like an epiphany; at times confusion seems the primary sensation clouding the experience.
View More NOTHING TO SEE HERE (Found Theater Company): Experience the chaosTHE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subject
An intense and impactful bio-play on Bradley Manning makes its powerful American debut in a stellar production by Inis Nua.
View More THE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subjectI WILL NOT GO GENTLY (1812): Rage, rage against the dying of the light
The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.
View More I WILL NOT GO GENTLY (1812): Rage, rage against the dying of the lightMeet Me On South Street: Previewing the fourth annual SOUTH STREET SPRING FESTIVAL
The city’s largest block party returns to South Street on May 7, with a celebration of food, drink, music, and art.
View More Meet Me On South Street: Previewing the fourth annual SOUTH STREET SPRING FESTIVALFOREVER PLAID (Montgomery): Always on song
Of all the variety pieces that have become ensemble favorites, Stuart Ross’s musical remains the most durable.
View More FOREVER PLAID (Montgomery): Always on songSPRING SERIES (BalletX): Ten Years On
BalletX has been around for ten years and they have much to celebrate.
View More SPRING SERIES (BalletX): Ten Years OnWe Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them
We asked the actors in this challenging production: Who is Bradley Manning to you?
View More We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them