TIME IS ON OUR SIDE (Simpatico): Philadelphia’s living history of gay pride and social progress
A world-premiere commission filled with humor and heart considers the history and progress of gay rights in Philadelphia through the lens of a local podcast and the discovery of a revealing artifact.
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Mood Music and Mind Control at SoLow Fest
Music accompanies modern life, whether it’s a new band your friends like, the on-hold music of doctor’s office or half your office going to see Beyoncé last Sunday. But what happens when music takes control?
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URBAN SCUBA: RETRO DIVE (Brian Sanders’ JUNK): A fresh take on old JUNK
Without being gratuitous Sanders’ doesn’t shy away from sexual explicitness on the dance stage, but he’s got the artistic goods (and humor) to back it up.
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STRAIGHT WHITE MEN (InterAct): Rattling cages…
Young Jean Lee’s brave societal exploration brings out the issues of privilege among, you guessed it—straight white men.
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The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre Exile
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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The Invisible Hand of Director Matt Pfeiffer
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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Rejected Thoughts Emerge at SoLow Fest
A SoLow Fest exploration of what makes us vulnerable, joyous, or angry.
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36 VIEWS (Lantern): Using artifice to reveal truths
Visually beautiful and compelling in its coherence, 36 VIEWS weaves these intellectual concepts on the uncertainty of art and life with a wholly original style.
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THE PLOUGH AND THE STARS (Irish Heritage): Human portraits of a bloody struggle
Dives into the lives of Irish tenement dwellers at the time of the 1916 Easter Rising
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[NYC] THE TOTAL BENT (Public Theater): In world premiere in NYC, a messy rocking musical has Philadelphia connections
The action transpires at the nexus of tradition, belief, protest, crass commercialism, and rock ‘n’ roll, shedding light on differing views of the budding Civil…
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“Nothing about us without us”: The Radicalisation of CHELSEA Manning
When does the subject trump gender identity? Responses to the latest Inis Nua production.
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Full Schedule: 2016 Philadelphia International Children’s Festival June 2-4
An array of circus arts, music, theater and storytelling and an outdoor FUN ZONE
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Putting the Vulnerable Thing Out There: An interview with Chelsea & Magda
Female friendships, aggression, integrity, Lisa Frank, light-up sneakers, and more.
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DANCE THEATRE OF HARLEM (McCarter): Dance review
For one night only, the Dance Theatre of Harlem appeared on the Matthews Stage of the McCarter Theatre Center in Princeton, New Jersey.
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THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
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[podcast] J. Paul Nicholas on THE INVISIBLE HAND
J. Paul Nicholas on the politics and conversations that surround this well-executed production.
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The Mechanical Theater Discusses its New Site-Specific Take on ROMEO AND JULIET
The cast, director, and artistic director of Mechanical’s upcoming production of Shakespeare’s classic give a sneak peek at their original site-specific adaptation.
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THE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel something
New Freedom Theatre’s latest teaches us that anger is a valid reaction to any play that depicts racial injustice.
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