ALWAYS … PATSY CLINE (Walnut): Crazy for this show
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
View More ALWAYS … PATSY CLINE (Walnut): Crazy for this showNot Going Gently: 1812 rocks with an album and a play
Harriet Power sits on a stool at a lightly stocked semi-circle bar in the corner of a spacious music room a block from the Ninth…
View More Not Going Gently: 1812 rocks with an album and a playMACHINAL (EgoPo): Welcome to the machine
A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.
View More MACHINAL (EgoPo): Welcome to the machineBodies in Translation: Week one, beginning at the beginning
A dancer for Trisha Brown Company details the experience of setting Brown’s work on the Pennsylvania Ballet dancers.
View More Bodies in Translation: Week one, beginning at the beginningRapid Oscillations Between the Sacred and the Profane: An interview with Bhob Rainey
We caught up with Bhob Rainey to learn more about his background and his work on O Monsters First Draft.
View More Rapid Oscillations Between the Sacred and the Profane: An interview with Bhob RaineyHOLLY’S DEAD SOLDIERS (Chris Davis, Bruce Walsh and Douglas Williams): 60-second review
Adapting Truman Capote’s Breakfast at Tiffany’s but not pulling verbatim from the novella, three playwrights have created a special experience in a Point Breeze row home.
View More HOLLY’S DEAD SOLDIERS (Chris Davis, Bruce Walsh and Douglas Williams): 60-second reviewTHE BIELLO MARTIN SONGBOOK: A famous Philly couple invites us into their wondrous world
The cabaret show is composed of an entertaining collection of songs written over the years by longtime collaborators and life partners.
View More THE BIELLO MARTIN SONGBOOK: A famous Philly couple invites us into their wondrous world1776: THE MUSICAL (Media): Not your textbook history production
1776 will make you laugh, might even make you cry, and will most certainly be more enjoyable than the lectures of your middle school history teachers.
View More 1776: THE MUSICAL (Media): Not your textbook history productionA Monstrous Creation: Whit MacLaughlin on NPL’s O MONSTERS First Draft
Artistic director Whit MacLaughlin describes the inspiration behind the O MONSTERS First Draft.
View More A Monstrous Creation: Whit MacLaughlin on NPL’s O MONSTERS First DraftPhiladanco (PIFA): Global artistry: four choreographers, one aesthetic
World renowned and locally grown Philadanco contributed to the Philadelphia International Festival of the Arts with nights of first rate dancing to sold out houses.
View More Philadanco (PIFA): Global artistry: four choreographers, one aestheticTWELFTH NIGHT (Philly Shakes): What you will!
The Philadelphia Shakespeare Theatre demonstrates Shakespeare’s continued relevance with a well-choreographed comedy of contemplation.
View More TWELFTH NIGHT (Philly Shakes): What you will!Breakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favorite
We talk to Chris Davis, Bruce Walsh, and Doug Williams ahead of their relaunch of HOLLY’S DEAD SOLDIERS.
View More Breakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favoriteThe Unprecedented Universe of O MONSTERS First Draft
New Paradise Laboratories’ O Monsters First Draft invites audiences to imagine the world separate from our human understanding of it.
View More The Unprecedented Universe of O MONSTERS First DraftSpring Home Season Concert (Kun-Yang Lin/Dancers): Few Shared Moments with Kun-Yang Lin & Dancers
Kun-Yang Lin’s home season at the Prince marked a new revitalized spirit for both the company and its choreographer.
View More Spring Home Season Concert (Kun-Yang Lin/Dancers): Few Shared Moments with Kun-Yang Lin & Dancers1776 THE MUSICAL (Media): Rollicking romp through history
A rocking, irreverent look at the birth of our nation wrought with lively, believable characters.
View More 1776 THE MUSICAL (Media): Rollicking romp through historyTHE STINKY CHEESE MAN (Arden): No cheese smells this good
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.
View More THE STINKY CHEESE MAN (Arden): No cheese smells this goodMANERIES (FringeArts): Solo dancer Florencia Vecino delivers a powerhouse performance
In a tightly focused and intense performance, Vecino executed a collection of gestures, poses, and movements mixed up “live, like a DJ”.
View More MANERIES (FringeArts): Solo dancer Florencia Vecino delivers a powerhouse performanceARCHITECTURE IN MOTION (PIFA/Diavolo): Dance review
LA-based company Diavolo brought two acrobatic pieces to PIFA 2016.
View More ARCHITECTURE IN MOTION (PIFA/Diavolo): Dance reviewSEX WITH STRANGERS (PTC): Turn the page
Laura Eason’s play raises some interesting questions about love and art, but it is largely uninterested in exploring them.
View More SEX WITH STRANGERS (PTC): Turn the pageTRANSLATIONS (Villanova): Mapping identity
When the British army renames the Irish village of Baille Baeg with an Anglicized name, the villagers must decide if it’s still the same place they’ve always known.
View More TRANSLATIONS (Villanova): Mapping identity