Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
ADAPT! (Wilma): On the brink of dawn
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!
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Philadelphia Theater Calendar April 2017
What’s on stage in Philadelphia this month?
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THE DELPHI PROJECT ANNUAL PERFORMANCE (with PA Ballet): Child’s play
Art is a way to express the truth. The truth of our emotions. The truth of our lives. The truth of ourselves.
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YOU FOR ME FOR YOU (Interact): Sisters in different worlds
This thoughtful production changes how we see the world and ourselves
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The Art of a Show: Creating graphics for an independent theater production
A play with gorgeous graphics for its marketing just looks like it has its shit together. How does that happen?
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THE KING AND I and I: Interview with star of touring production
Anthony Chan spoke with Phindie about his role as Prince Chulalongkorn.
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What We Save: An historic house explores non-traditional historical narratives
Though thoroughly a part of the 18th-century architecture of Society Hill, the Powel House is more than just a historic artifact.
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The excitement happens at BalletX’s Premier Party 2017
Cocktails, dinner, and top-class dance.
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Theater in Sketch: THE KING AND I (Academy of Music)
HE KING AND I is set in a time period of colonies and colonials.
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Playwrights Under Pressure: Part 2 of interview with OSLO playwright J.T. Rogers
“The American theater is chock full of inward looking plays that fester over small, personal family dramas”
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JESUS CHRIST SUPERSTAR (Bristol Riverside Theatre): In a little river town a great but shopworn rock opera is reborn
I went in to the show a doubting Thomas a came out a believer.
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Emotion is the Heart of Melodrama: Adapting THE PRISONER OF ZENDA
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April…
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CABARET Couple: Talking to the married stars of a Broadway tour
Roundabout Theatre Company’s Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9
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THE IMPORTANCE OF BEING EARNEST (Walnut): A trivial comedy for serious people
Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style.
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A Different Type of Theatrical Experimentation: PARROT TALK with Julius Ferraro
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
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Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1)
Interview with J.T. Rogers on the journey from PlayPenn to Broadway.
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IRONBOUND (Simpatico): Does this bus stop at 82nd street?
IRONBOUND takes place outside of a bus stop in front of a factory in New Jersey.
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TOMFOOLERY (Act II): Rediscovering the satire of Tom Lehrer
Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters
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Mahan Esfahani in recital at the McCarter Theatre Center
So what does this genius look like?
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Dance in Sketch: LES BALLETS TROCKADERO DE MONTE CARLO (Prince Theater)
Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.
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