German Cabaret in Philadelphia: Interview with Berlin’s Dieter Rita Scholl
Interview with Dieter Rita Scholl, performing in DO YOU WANT A COOKIE?
View More German Cabaret in Philadelphia: Interview with Berlin’s Dieter Rita SchollJacob Tischler Stops In Irving Berlin’s Holiday Inn
Jacob Tischler returns to Philadelphia for the song and dance extravaganza, Irving Berlin’s Holiday Inn.
View More Jacob Tischler Stops In Irving Berlin’s Holiday InnFringe in Sketch: P PAN AND BEYOND (Kathleen Murphy)
Chuck Schultz talks to Kathleen Murphy about her Fringe show.
View More Fringe in Sketch: P PAN AND BEYOND (Kathleen Murphy)A VACATION (Poison Apple Initiative): 2018 Fringe review
Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.
View More A VACATION (Poison Apple Initiative): 2018 Fringe reviewNIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review
A punk-horror Fringe show which engages the audience and keeps the us engaged
View More NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe reviewSONG OF MY SELF-CARE (Jimmy Grzelak/PHIT): 2018 Fringe review
Gzelak finds the poetry and the absurd in the mundane.
View More SONG OF MY SELF-CARE (Jimmy Grzelak/PHIT): 2018 Fringe reviewFringe in Sketch: THE PRESENTED (Chris Davis)
This solo show exercised the best part of Davis’s character acting, Chris Davis as Chris Davis. Chris Davis takes us through the process of selling…
View More Fringe in Sketch: THE PRESENTED (Chris Davis)THE WILLIAM PENN STORY (Brotherly Love Theatre Company): 2018 Fringe review
The show literally ROCKS!
View More THE WILLIAM PENN STORY (Brotherly Love Theatre Company): 2018 Fringe reviewB. FRANKLIN: WORDS MATTER (Vagabond Productions): 2018 Fringe review
An extraordinarily splendid opportunity for an informative and fun visit with Benjamin Franklin
View More B. FRANKLIN: WORDS MATTER (Vagabond Productions): 2018 Fringe reviewBEHOLD HER (Half Key Theatre Company): 2018 Fringe review
Publicity for the show focuses on the question, “What is beauty?,” but the show itself goes much deeper.
View More BEHOLD HER (Half Key Theatre Company): 2018 Fringe reviewFringe in Sketch: KCBC x KCBC II
A contemporary ballet commenting on society’s perception and expectations of women.
View More Fringe in Sketch: KCBC x KCBC IITHE ACCOUNTANT (Trey Lyford): 2018 Fringe review
Do the math. That’s what accountants do, right? The show is 75 minutes long. I looked at my watch about ten times, from which we…
View More THE ACCOUNTANT (Trey Lyford): 2018 Fringe reviewSONGS OF WARS I HAVE SEEN (Heiner Goebbels): 2018 Fringe review
An imaginatively textured musical performance in which music, sounds, and speaking are of a piece
View More SONGS OF WARS I HAVE SEEN (Heiner Goebbels): 2018 Fringe reviewCHAOS THEORY (Jessica Creane): 2018 Fringe review
The reliance on audience volunteers yields some interesting moments, framed in a series of games, but too often Creane pushes moments past humor.
View More CHAOS THEORY (Jessica Creane): 2018 Fringe reviewFringe in Sketch: SONGS OF WARS I HAVE SEEN (Heiner Goebbels)
A bittersweet lament on war’s insidious effects
View More Fringe in Sketch: SONGS OF WARS I HAVE SEEN (Heiner Goebbels)CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review
CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.
View More CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe reviewAIRPORT OPENED (Brian Shapiro): 2018 Fringe review
AIRPORT OPENED takes you on an enjoyably elucidating human journey well worth experiencing!
View More AIRPORT OPENED (Brian Shapiro): 2018 Fringe reviewInternational Fringe 2018: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Henrik Eger welcomes Fringe artists and artworks from around the world.
View More International Fringe 2018: A welcome to theater from around the world coming to the Philadelphia Fringe FestivalECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review
ECCENTRICITIES is lush, loquacious and very typical Tennessee Williams: lonely, sex-starved women, men struggling against overbearing mothers, desperation everywhere.
View More ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe reviewDO YOU WANT A COOKIE? (Bearded Ladies Cabaret): 2018 Fringe review
“What is cabaret?”
View More DO YOU WANT A COOKIE? (Bearded Ladies Cabaret): 2018 Fringe review