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Author: Tina Gill

Tina Gill, daughter of immigrants from Pakistan, English major, graduating from DCCC, Summer 2021, and editorial assistant at Drama Around the Globe. She hopes to turn her writing into a living one day or work as an editor or a teacher. For more information, check out her website: tinagillpa.weebly.com
Literature

From Doom & Gloom to a New Year’s Resolution: Book review of THE GLOBAL KINDNESS REVOLUTION by Judith Trustone

Tina Gill December 24, 2020 3 Comments

In letting go of my fear of opening up and reaching out, listening and sharing with others, I hope to become more aware and experience the holidays in quiet ways,

View More From Doom & Gloom to a New Year’s Resolution: Book review of THE GLOBAL KINDNESS REVOLUTION by Judith Trustone
Features Interviews Theater

“It’s all a marathon, not a sprint”: Interview with Keith Illidge on Inis Nua’s production of UNTITLED

Tina Gill May 8, 2019 No Comments

Tina Gill interviews Keith Illidge about his work and role in Inis Nua’s UNTITLED

View More “It’s all a marathon, not a sprint”: Interview with Keith Illidge on Inis Nua’s production of UNTITLED
Reviews Theater

UNTITLED (Inis Nua): Brother, Name, Destiny—The American premiere of Inua Ellams’ drama

Tina Gill May 3, 2019 No Comments

Two brothers must find each other before they can find themselves.

View More UNTITLED (Inis Nua): Brother, Name, Destiny—The American premiere of Inua Ellams’ drama
Features Fringe Festival Interviews Theater

“Nobody’s trash opinion is worth being late to brunch over”: Interview with Brandon Monokian

Tina Gill September 22, 2018 No Comments

Brandon Monokian of Love Drunk Life talks about his 2018 Fringe experience

View More “Nobody’s trash opinion is worth being late to brunch over”: Interview with Brandon Monokian
Fringe Festival Fringe reviews Reviews Theater

VILLAIN (Jon & Marissa Edelman/PHIT): 2018 Fringe review

Tina Gill September 17, 2018 2 Comments

A telling tale of what it means to be an immigrant in the U.S. today

View More VILLAIN (Jon & Marissa Edelman/PHIT): 2018 Fringe review

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