Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Barrymore Nominations Announced!
‘Tis the season. Phindie announced its own awards for regional theater on Monday, and Theatre Philadelphia announced the reconstituted Barrymore Awards for Excellence in Theatre today.…
View More Barrymore Nominations Announced!
Fringe interview with Colie McClellan of THEY CALL ME ARETHUSA
Phindie spoke to Colie McClellan about her Fringe show THEY CALL ME ARETHUSA, a story of intimate partner violence interweaved with Greek mythology and Southern folklore.
View More Fringe interview with Colie McClellan of THEY CALL ME ARETHUSA
Mauckingbird Presents Staged Readings of Two Gay Milestones
Two groundbreaking plays in the history of queer theater–Lillian Hellman’s THE CHILDREN’S HOUR and Mart Crowley’s THE BOYS IN THE BAND—will be presented in the format of staged readings over the next two weekends by Mauckingbird Theatre Company.
View More Mauckingbird Presents Staged Readings of Two Gay Milestones
Playwright to playwright: Chris Davis (Anna K) interviewed by Douglas Williams (Safe Space)
In this special Phindie feature, Holly’s Dead Soldiers alums Douglas Williams and Chris Davis talk about Chris’s new work and his recent trip to Scotland for the world-famous Edinburgh Fringe.
View More Playwright to playwright: Chris Davis (Anna K) interviewed by Douglas Williams (Safe Space)
Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
View More Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer
PHINDIE’S OFFICIAL FRINGE BIKE TOUR: Experience Fringe in a way never before possible
Wanna experience the best of Fringe, but don’t know how? Overwhelmed by the offerings of the Guide? Fearful to take your first taste of Philly’s oldest and largest performance festival and somehow get it wrong? Or else just don’t want to do it alone?
Join Phindie for a one-day Fringe immersion, led by Julius Ferraro—Phindie.com theater editor, journalist, playwright, performer, and veteran fringehopper.
View More PHINDIE’S OFFICIAL FRINGE BIKE TOUR: Experience Fringe in a way never before possible
2013/14 Critics’ Awards: The best in Philadelphia theater
For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.
View More 2013/14 Critics’ Awards: The best in Philadelphia theater
Philly-born ‘The Object Lesson’ Takes Top Prize at Edinburgh Festival Fringe
Geoff Sobelle’s The Object Lesson, which premiered at the 2013 Philadelphia Fringe Festival, is the winner of the 2014 Carol Tambor Best of Edinburgh award.
View More Philly-born ‘The Object Lesson’ Takes Top Prize at Edinburgh Festival Fringe
10 Fringe Dance Picks: Lew Whittington on the best of the 2014 Fringe Festival
Dance writer Lew Whittington gives 10 “moving” picks for the 2014 Fringe Festival
View More 10 Fringe Dance Picks: Lew Whittington on the best of the 2014 Fringe Festival
CRAZYFACE (BrainSpunk): Maybe we’re crazy
From the mind that created the internationally popular ‘Clive Barker’s Books of Blood’ and the movie ‘Hellraiser’ comes another of Barker’s successes, also known as a play called CRAZYFACE. The downright madness of this three-hour play is performed by a cast of over 30 of the finest members of the local BrainSpunk Theater group.
View More CRAZYFACE (BrainSpunk): Maybe we’re crazy
About, or in, the Liminal Space: John Ollom at 954 Dance Movement Collective
Phindie dance writer Katelyn Bobek spoke with New York City based choreographer John Ollom about his work and a new series of classes in Philadelphia.
View More About, or in, the Liminal Space: John Ollom at 954 Dance Movement Collective
DEATH OF A SALESMAN (GoKash): What happens to a dream deferred
“There is no future for a people who deny their past. My Foreparents, My Grandparents, My Mother, My Father did not suffer and die to…
View More DEATH OF A SALESMAN (GoKash): What happens to a dream deferred
Fringe Picks: Daniel Student gives his shameless plugs and insider tips
Plays and Players Theatre is host to x shows in this year’s Philadelphia Fringe Festival and the upstairs bar is a regular after-show spot for Fringe performers, so Daniel Student, artistic director of the resident theater company, has his finger on the festival pulse. Daniel told Phindie what he’s looking forward to this year, at P&P and beyond.
View More Fringe Picks: Daniel Student gives his shameless plugs and insider tips
Talking Sex, Substance, and SUSPENDED with Brian Sanders
Perennial Fringe favorite Brian Sanders and his dare-devil dance company JUNK have created a provocative new offering for this year’s Festival. Described as a journey…
View More Talking Sex, Substance, and SUSPENDED with Brian Sanders
YOU KNOW MY NAME: A DANIEL TALBOTT TRIO (Quince): Devils and saints in small-town America
Daniel Talbott’s YOU KNOW MY NAME: A DANIEL TALBOTT TRIO presents some unique challenges. Three short plays which could easily take place in the same town dwell with nearly pornographic clarity on the cruelty of the town’s inhabitants and of fate.
View More YOU KNOW MY NAME: A DANIEL TALBOTT TRIO (Quince): Devils and saints in small-town America
Gunnar Montana rises: Interview with the experimental Fringe stalwart about his show RESURRECTION ROOM
Philadelphia artist and choreographer Gunnar Montana is no stranger to the Fringe Festival. Since his show ‘RUB’ debuted in 2012, the seriously experimental Montana has…
View More Gunnar Montana rises: Interview with the experimental Fringe stalwart about his show RESURRECTION ROOM
Introducing the Fringe/Fringe Festival, which you probably won’t want to miss
A backwoods exorcism by a snake-handling preacher, a community-building sleepover play about death, devised theater by dangerous women, and a gallery where live mannequins and their art intersect: we’re hoping the newly-birthed Fringe/Fringe Festival turns out to be as freaky and compelling as its play synopses promise.
View More Introducing the Fringe/Fringe Festival, which you probably won’t want to miss
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia
The issue of diversity in theater (and in theater reviewing) is an ongoing subject of conversation. Kash Goins isn’t just talking about it. His GoKash…
View More Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia
Photographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIO
In shooting YOU KNOW MY NAME: A DANIEL TALBOTT TRIO, I wanted to capture not only the unique world in which Talbott’s plays occur, but the very different worlds of these three short plays. A kitchen (Break My Face on Your Hand), a public bench (You Know My Name), and a bedroom (What Happened When) become joyous, sinister, hopeful, despairing, or reassuring places as the plays move along and flow into one another.
View More Photographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIO
THE GLASS MENAGERIE (Commonwealth Classic): Through the glass darkly
Commonwealth’s production draws the curtain on enough of the play’s window into regret to reveal the melancholy brilliance of THE GLASS MENAGERIE.
View More THE GLASS MENAGERIE (Commonwealth Classic): Through the glass darkly