Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Tempesta di Mare is teaming up with Choral Arts Philadelphia and Piffaro Renaissance Band to perform selections of Christmas music from the Court of Dresden.
View More A Baroque German Christmas: Tempesta di Mare presents 17th-century advent musicAaron Levy was a prominent land speculator in Colonial Pennsylvania. A Jewish immigrant from Amsterdam, he founded Aaronsberg in Centre County, the first city in the United States designed by and named for a person of Jewish descent.
View More Famous Philadelphians: Aaron Levy (1742-1815)The second part of No Face Performance Group’s ABBOT ADAM series begins with the faintly absurd and moves to the thoroughly absurd.
View More ABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?Choreographer Daniel Ezralow is back in town to add some extra decoration to a much-loved holiday tradition.
View More Philadanco’s X-MAS PHILES keeps givingTom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.
View More A Night With Tom Stoppard: The playwright visits the Wilma to talk about his latest playIn Africa as elsewhere, for queers as for everyone, life plays out messily in small tragedies and little loves.
View More A KNEE THAT CAN BEND (Orbiter 3): Love and life in a hot countryCelebrating her 46th year as artistic director of the Philadelphia Dance Company, Joan Myers Brown continues to break barriers while preserving rich dance traditions.
View More Joan Myers Brown Talks Christmas and THE X-MAS PHILESA world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.
View More HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindnessInterview with a Drexel professor taking 10 students to study with Cuban filmmakers.
View More Our Man in Havana: Gerard Hooper takes Drexel film students to CubaAn updated musical adaptation of Shakespeare’s classic rom-com brings current import to the battle of the sexes and coming of age in post-modern times.
View More LOVE’S LABOUR’S LOST (CTC): A post-modern musical adaptation of Shakespeare’s classic rom-comPart one of the first-ever interview with Susan Turlish, playwright of Society Hill Playhouse’s smash hit LAFFERTY’S WAKE
View More “No Irish Wake is considered a success without one mighty, knockdown, knockout fight!”: Interview with LAFFERTY’S WAKE playwright Susan TurlishThis year’s installment of the annual politically-incorrect political comedy skewers the presidential candidates and brings some welcome laughs to a troubled week
View More THIS IS THE WEEK THAT IS (1812): The tenth anniversary of an annual favoritePhiladelphia DANCE’s give their annual round-up of dance shows onstage this holiday season.
View More The Nutcracker and Other Favorites: Philadelphia DANCE’s annual holiday guide to gance in PhiladelphiaAn entertaining spoof of Sir Arthur Conan Doyle’s Victorian classic injects humor and surprises into the well-known mystery.
View More BASKERVILLE: A SHERLOCK HOLMES MYSTERY (PTC): A wacky spoof on a classic novelThe LAFFERTY’S WAKE ensemble is quick and amiable in Susan Turlish’s gentle comic story,
View More LAFFERTY’S WAKE (Society Hill Playhouse): Putting the fun in funeralBased on the classic, insightful novel by John Steinbeck, the play delves into the hardship of two migrant workers during the Great Depression and a time when each man was for himself and there was little forgiveness.
View More OF MICE AND MEN (Stagecrafters): Tell me about the Great DepressionJoe DiPietro’s thought-provoking piece is set in Woodrow Wilson’s second term, but it rekindles a period in the mid-20th century of sweeping biographical plays about historical figures.
View More THE SECOND MRS. WILSON (George Street); Behind every great manPaul Kuhn is perhaps the finest designer in Philadelphia’s independent theater. He tells Phindie about his prop design for a site-specific production of Ibsen’s HEDDA GABLER.
View More Arming GABLER: Prop designer Paul Kuhn talks about his work on HEDDA GABLERAddressing the issues of immigration and acceptance, Kun-Yang Lin/Dancers utilize dance and theatrics to explore the meaning of home.
View More HOME/S. 9TH ST. (Kun-Yang Lin/Dancers): Home is where the dance isRoald Dahl is wildly popular, and this musical version of MATILDA benefits from the author’s lionization.
View More MATILDA: THE MUSICAL (RSC): Dahl on tour