THE SECOND MRS. WILSON (George Street); Behind every great man
Joe DiPietro’s thought-provoking piece is set in Woodrow Wilson’s second term, but it rekindles a period in the mid-20th century of sweeping biographical plays about historical figures.
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Arming GABLER: Prop designer Paul Kuhn talks about his work on HEDDA GABLER
Paul Kuhn is perhaps the finest designer in Philadelphia’s independent theater. He tells Phindie about his prop design for a site-specific production of Ibsen’s HEDDA GABLER.
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HOME/S. 9TH ST. (Kun-Yang Lin/Dancers): Home is where the dance is
Addressing the issues of immigration and acceptance, Kun-Yang Lin/Dancers utilize dance and theatrics to explore the meaning of home.
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MATILDA: THE MUSICAL (RSC): Dahl on tour
Roald Dahl is wildly popular, and this musical version of MATILDA benefits from the author’s lionization.
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THE GREAT AMERICAN TRAILER PARK CHRISTMAS MUSICAL (Montgomery Theater): Treasure amid the chintz
The clock is ticking down to tinsel time at Armadillo Acres in Starke, Florida, where the residents intend to blind the heavens with bargain store…
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BILLY ELLIOT (Media Theatre): Dance Billy, dance
As usual with 2007 musical version of the 2000 movie, the personal scenes are the strength of this production
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THE THREE MUSKETEERS (THE LATER YEARS): A MUSICAL PANTO (People’s Light): The triumphant return of a holiday favorite
The annual panto returns with a wacky take on Alexandre Dumas’ beloved adventure story of 17th-century France.
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BECOMING DR. RUTH (Walnut): 60-second review
Jane Ridley is consistently engaging in Mark St. Germain’s chatty play about the woman who became Dr. Ruth.
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BLACK NATIVITY (Theatre Horizon): A celebration of human spirit
Ozzie Jones’s production of this updated Langston Hughes play dazzles in just about every way a theater piece can.
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A FREE MAN OF COLOR (Temple): Outrageous but haphazard vaudeville
John Guare’s play about race relations in early 19th century New Orleans is sprawling and convoluted under the best of circumstances.
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FALL SERIES 2015 (BalletX): Nature and nurture through breathtaking dancers
BalletX, kicks off their inaugural 10th season with the Fall Series 2015 with a world premiere by internationally acclaimed choreographer, Nicolo Fonte.
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A CHRISTMAS STORY, THE MUSICAL (Walnut): Recollections of an unforgettable holiday
The Philadelphia debut of a popular musical is filled with humor, wonderment, and sentimental recollections of a child’s Christmas in 1940 Indiana.
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AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artist
This three-part series by Miguel Gutierrez explores the difficulties of the performer’s life and career.
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FULL OF GRACE, part 2: Oppressed Catholic voices on stage
More thoughts on the good, bad, and ugly presented in Scott Barrow and Robert Choiniere’s play about LGBT Catholics.
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WEEDING OUT THE STONED (Good Good Comedy): Highly entertaining
Remember when you used to smoke tons of weed but thought no one knew you were stoned out of your gourd? You were wrong.
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A PORCH AT THE EDGE OF THE WORLD (Transmissions): The magic happens in magical realism
A magical realism play based on a true story could easily be a disaster, but Transmissios Theatre makes the magic happen.
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Famous Philadelphians: Ernesta Drinker Ballard (1920–2005)
A transformative force behind one of the city’s premier annual cultural events, Ernesta Drinker Ballard was also leading local and national figure in the campaign…
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Sketches of Ives: IRC’s ALL IN THE TIMING
Here’s what Chuck Schultz saw at the Idiopathic Ridiculopathy Consortium’s production of ALL IN THE TIMING by David Ives.
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MACBETH (Villanova): Ambition, conscience, fates, and kazoos
This production offers gore, unconventionality, and laughs, and certainly strikes up debates about the meaning of the play’s profound poetry.
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A PORCH AT THE EDGE OF THE WORLD (Transmissions): Extremist religion and unrequited love
In deep Siberia, Karp Lykov and his grown children encounter their first outsiders in fifty years.
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