It’s hard to imagine a better set design for Henrik Ibsen’s devastating feminist classic than the living room of the Ebenezer Maxwell Mansion Victorian House…
View More A DOLL’S HOUSE (Ebenezer Maxwell Mansion): 60-second reviewCategory: Theater
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TWO NOBLE KINSMEN (Philly Shakes): Shakespeare as entertainment
Aaron Cromie, the director of Philadelphia Shakespeare Company’s academy performance of TWO NOBLE KINSMEN, is one of this city’s best directors. His puppet/live actor version…
View More TWO NOBLE KINSMEN (Philly Shakes): Shakespeare as entertainmentTHE HOMOSEXUALS (Quince): Ten turbulent years for one young man, six friends, and an entire community
And the festivities continue at GayFest! with Philip Dawkins’s acclaimed play THE HOMOSEXUALS. Gritty and thoughtful, with a broad scope of characterizations and universally relatable themes,…
View More THE HOMOSEXUALS (Quince): Ten turbulent years for one young man, six friends, and an entire communityNOIR (GDP): Theater fatale gets off the beaten path
Little known theater company, GDP Productions, takes a shot at classic crime cinema with NOIR. Played in the shadowy, speakeasy-like back bar of R Bar…
View More NOIR (GDP): Theater fatale gets off the beaten pathBest of 2012/13: About the Philadelphia Theater Critics Awards
About the 2012/13 Phindie Awards.
View More Best of 2012/13: About the Philadelphia Theater Critics AwardsTHE IMPORTANCE OF BEING EARNEST (Mauckingbird): 60-second review
Gender roles play an essential part in much classic literature. How many complex pre-1900 plots would be instantly resolved if a woman could just marry…
View More THE IMPORTANCE OF BEING EARNEST (Mauckingbird): 60-second reviewMACBETH (Commonwealth): 60-second review
MACBETH is a violent play, a feature emphasized by the contemporary military garb and extended fight choreography in the worthwhile production by Commonwealth Classic Theatre Company.…
View More MACBETH (Commonwealth): 60-second review2012/13 Critics’ Awards
Phindie asked every theater writer in Philadelphia to send a list of top five choices in twelve categories for work produced in or near the…
View More 2012/13 Critics’ AwardsDon’t Worry Philly, There Will Be Theater in August
August is not the best of theater months. For most theaters, mainstream and small, the season is still a September or October to May session.…
View More Don’t Worry Philly, There Will Be Theater in AugustAVENUE Q (Mazeppa): A puppet oasis in the summer heat
Rob Henry and Brian Seaman, founders of Mazeppa Productions, the newest resident musical theater company in Philadelphia, offer an oasis of entertainment in the Sahara…
View More AVENUE Q (Mazeppa): A puppet oasis in the summer heatPlayed in Philadelphia (PHM): The insanity of Phillies fans
I went to the Philadelphia History Museum at the Atwater Kent last week on a tipoff from Mary Syndor. “The Played in Philadelphia gallery,” claims their website,…
View More Played in Philadelphia (PHM): The insanity of Phillies fansRETURN OF CONFESSIONS OF A PLATE AND SHOE (SmokeyScout): 60-second review
Josh McIlvain’s RETURN OF CONFESSIONS OF A PLATE AND SHOE should be put in a time capsule and used by future generations as a how-to…
View More RETURN OF CONFESSIONS OF A PLATE AND SHOE (SmokeyScout): 60-second reviewTHE VIOLENCE OF THE LAMBS (OR THE ANIMAL VS. HUMAN WAR) (Chris Davis): 60-second review
As the established Philadelphia companies enter their long off-season, the SoLow Festival is providing a welcome dose of idiosyncratic theater at some unusual venues around…
View More THE VIOLENCE OF THE LAMBS (OR THE ANIMAL VS. HUMAN WAR) (Chris Davis): 60-second reviewAnother take on GLASS: SHATTERED (Renegade)
Pacified by a pre-show serving of *Little Baby’s* ice cream, the Renegade Company’s audience sat in a cozy room with broken victrola records scattered on…
View More Another take on GLASS: SHATTERED (Renegade)Afterthoughts on UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo)
EgoPo’s show closes at Plays & Players in Philadelphia tonight. I finally got to see it at the end of the run. The finale of…
View More Afterthoughts on UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo)SOME OTHER KIND OF PERSON (InterAct)
The title of Eric Pfeffinger’s SOME OTHER KIND OF PERSON, now in production by Interact Theatre Company, refers to a purposefully misquoted line of Aristotle,…
View More SOME OTHER KIND OF PERSON (InterAct)GLASS: SHATTERED (Renegade): 60-second review
Tennessee Williams’s The Glass Menagerie is described as a “memory play”: its plot an extended flashback, its theatrical pretense laid bare. GLASS: SHATTERED, Michael Durkin’s…
View More GLASS: SHATTERED (Renegade): 60-second reviewUNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate production
Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in…
View More UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate productionAMERICAN SLIGO (New City): Wrestling with dysfunction
The American dysfunctional family was the theme of New City Stage Company’s successful 2012/13 season, and it would be hard to find a play which…
View More AMERICAN SLIGO (New City): Wrestling with dysfunctionBARCELONA (People’s Light): Transatlantic tension, transatlantic truth
She’s an American tourist on a girls’ holiday, seeking out a romantic, exotic fantasy of Spain. He’s a dashing, seductive Spaniard who takes her to…
View More BARCELONA (People’s Light): Transatlantic tension, transatlantic truth