1992. It’s sixteen years before Barack Obama is elected president, but New York City has its first (and still only) black mayor, David Dinkins, soon…
View More [44] DUTCH MASTERS (Azuka Theatre): Fringe review
Category: Theater
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[43] DIRTY JOKE (Jennifer Blaine/5,000 Women): Fringe review
Actor/comedian Jennifer Blaine was a feature of the Philly Fringe for its first decade. Returning for the first time since 2007, she brings back one…
View More [43] DIRTY JOKE (Jennifer Blaine/5,000 Women): Fringe review
[41] DREADFULLY WHITE (Susan Pope): Fringe review
For the first few years of the Philly Fringe, it cost like five dollars to see a show. You could take a gamble on shows…
View More [41] DREADFULLY WHITE (Susan Pope): Fringe review
[40.1] THE OBJECT LESSON (Geoff Sobelle): Fringe review
Object lesson: A demonstration of a principle using a material object, which forms the basis of the lesson and is available to be inspected. —Collins…
View More [40.1] THE OBJECT LESSON (Geoff Sobelle): Fringe review
[39] SIX FEET (ABOVE AND) UNDER: A GRAVEYARD CABARET (REV Theatre Company): 2013 Fringe review
The sun has set at Laurel Hill Cemetery. A half-moon barely illuminates the gravestones, with faint shadows moving about off in the distance. There is…
View More [39] SIX FEET (ABOVE AND) UNDER: A GRAVEYARD CABARET (REV Theatre Company): 2013 Fringe review
[38] MORE SEX-ED BURLESQUE (Chlamydia dell’Arte): Fringe review
The delightful and hilarious ladies of Chlamydia dell’Arte—Gigi Naglak and Meghann Williams—would like to educate you. They would like to sing you a song about…
View More [38] MORE SEX-ED BURLESQUE (Chlamydia dell’Arte): Fringe review
[37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review
At Plays & Players, a serene air of sophistication, and a soothing nostalgia of productions past blanket the crowd of the fully seated theater. The…
View More [37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review
Fringe interview: Sarah Robinson on LUCINDA’S BED, BrainSpunk Theater, and the monsters under her bed
Sarah Robinson produced and directed one of the highlights of the 2012 Fringe, Sarah Kane’s Crave. She’s also a regular feature on the boards in…
View More Fringe interview: Sarah Robinson on LUCINDA’S BED, BrainSpunk Theater, and the monsters under her bed
[36] POLYGON COMEDY PRESENTS: THE FRINGE! (Polygon Independent Comedy): Fringe review
Courtesy of Philly “Art” Blog. Performing at POLYGON COMEDY PRESENTS: THE FRINGE! were Rosen and Milkshake and Alex Pearlman, local acts with previous stand-up credentials and unpretentious indie appeal.…
View More [36] POLYGON COMEDY PRESENTS: THE FRINGE! (Polygon Independent Comedy): Fringe review
THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2
Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific…
View More THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2
[34] WHERE (WE) LIVE (So Percussion): Fringe review
Like vague early childhood memories of “home”, the eight players of WHERE (WE) LIVE assemble without an introduction, scattering to spaces cluttered with objects, lights,…
View More [34] WHERE (WE) LIVE (So Percussion): Fringe review
[33] PAPERBACK DREADFUL (Shannon House): Fringe review
Improv is the jam band genre of theater: it often seems more fun to do than fun to watch. Sure, it provides tools to young…
View More [33] PAPERBACK DREADFUL (Shannon House): Fringe review
[24.2] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review
ENLIGHTENMENT ON E FLOOR NORTH explores the absurdities of employment in the most unlikely of places – the galleries of an art museum where four security…
View More [24.2] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review
[32.1] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review
With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of…
View More [32.1] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review
[31] TRAGIC EVENTS (Erik Ransom): Fringe review
One of the best bonuses of Philadelphia’s Fringe Festival is the nightly after-party at the Festival Bar (this year at Underground Arts), where everyone can…
View More [31] TRAGIC EVENTS (Erik Ransom): Fringe review
Fringe interview: BSM Pastor Bill Golderer talks about the controversial On the Concept of the Face Regarding the Son of God
The FringeArts-sponsored On the Concept of the Face Regarding the Son of God is one of the most anticipated shows of the 2013 Fringe Festival.…
View More Fringe interview: BSM Pastor Bill Golderer talks about the controversial On the Concept of the Face Regarding the Son of God
[28.2] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
You know those commercials at the movies that play for fifteen minutes before the trailers? You don’t want them, you don’t care about them, but…
View More [28.2] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
[30] THE LIVING NEWSPAPER (Liz Magic Laser): Fringe review
Given that you have to sit suffering through the disgraceful This is Not a Theater, it’s almost irrelevant to review THE LIVING NEWSPAPER, but NEWSPAPER is…
View More [30] THE LIVING NEWSPAPER (Liz Magic Laser): Fringe review
[29] HOW TO MAKE POTATO SALAD (Aleksandra Berczynski & MB Grupa Realizacji): Fringe review
Three potatoes, peeled with difficulty (“you drive me as crazy as my date will”) by long fingernails and diced Two apples, crudely peeled (“how come…
View More [29] HOW TO MAKE POTATO SALAD (Aleksandra Berczynski & MB Grupa Realizacji): Fringe review
[28.1] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
Navin Rawanchaikul has created an epic portrait of the history of Philly’s historic Plays and Players Theater. Hundreds of faces have been painted with photographic…
View More [28.1] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review