PLUNGE is yet another fruit of Brian Sanders’ creative genius
View More PLUNGE (Brian Sanders JUNK): 2018 Fringe review
Category: Fringe reviews
Reviews of theater and performing arts events in the Philadelphia Fringe Festival. Phindie is providing more critical coverage of the festival than any other publication in Philadelphia.
GARDENS SPEAK (Tania El Khoury): 2018 Fringe review
GARDENS SPEAK is a metaphysical experience of death and injustice… and a tangible experience of growth and self-expansion.
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PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review
Like a Joni Mitchell song, PAPRIKA PLAINS is intimate, artful, and affecting.
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DARLINGS: KILL US (Good Good Comedy): 2018 Fringe review
In a word: Funny.
View More DARLINGS: KILL US (Good Good Comedy): 2018 Fringe review
LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review
There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story.
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PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review
Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha’s production captures her brilliance.
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ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review (2nd)
Another review of IRC’s 2018 Fringe piece.
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TRUE WEST (Subscension): 2018 Fringe review
This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it.
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BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review
Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere
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I <3 ADRIAEN (Gerhardus): 2018 Fringe review
An artful blend of theater and history thrives among the tombstones at Old Swedes Church
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DAY OF ABSENCE (Flying Quilt/Iron Age): 2018 Fringe review
It’s haunting how relevant—and funny—this somewhat dated piece remains
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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review
Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcoming, accessible, easy-to-enjoy theater.
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(KENSINGTON) STREETPLAY (Renegade): 2018 Fringe review
I wish Renegade could conduct these walking performances all year round
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MOONWRITERS: Local Women Writers (Rhythm & Bones Literary Magazine): 2018 Fringe review
Several local women writers perform their work in an illuminating, engagingly entertaining literary slam-dunk of an event
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THE PRESENTED (Chris Davis): 2018 Fringe review
Chris Davis has come into his own as an exuberant and irresistible Rumpelstiltskin who spins his own life’s straw into gold.
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VILLAIN (Jon & Marissa Edelman/PHIT): 2018 Fringe review
A telling tale of what it means to be an immigrant in the U.S. today
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FIGMAGO (Meg Saligman Studio and Brian Sanders’ JUNK): 2018 Fringe review
For those who ever stopped to look up the giant painting on the wall of one of the buildings in Philadelphia and wondered how such an awe-inspiring artwork was created
View More FIGMAGO (Meg Saligman Studio and Brian Sanders’ JUNK): 2018 Fringe review
FLY EAGLES FLY (Tribe of Fools): 2018 Fringe review
With life and football you have to push through it all to get to the joy.
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IN THE FOREST (Tangle Movement Arts): 2018 Fringe review
Each viewer experiences this 360-degree show in his/her own way.
View More IN THE FOREST (Tangle Movement Arts): 2018 Fringe review
RIDICULOUS (Jennifer Blaine): 2018 Fringe review
Ridiculous, Jennifer Blaine, L’Etage, Sorry, Safety By Numbers, Dirty Joke, Vicissitudes of Travel, Kate Gibson, Karen Getz, Lily Blaine, Paprika Plains
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