No matter what you think, you don’t have Wes Anderson pegged.
View More The French Dispatch (dir. Wes Anderson): Philadelphia Film Festival review
Author: Angela Harmon
THE AERONAUTS (dir. Tom Harper): 2019 Philadelphia Film Festival review
Fun, thrilling, and unpredictable. An action movie for the post-superhero world.
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SUNSET OF MULHOLLAND DRIVE (dir. Uli Gaulke, Agnes Lisa Wegner): 2019 Philadelphia Film Festival review
Sunset Over Mulholland Drive is not interested in exploration, only adoration.
View More SUNSET OF MULHOLLAND DRIVE (dir. Uli Gaulke, Agnes Lisa Wegner): 2019 Philadelphia Film Festival review
HARRIET (dir. Kasi Lemmons): 2019 Philadelphia Film Festival review
You’ve never seen a movie like HARRIET
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GRETA (dir. Neil Jordan): Film review
I say women were “placed” in these roles when what I really mean is “stuffed.”
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UNTOGETHER (dir. Emma Forrest): Film review
Angela Harmon reviews the new movie by director Emma Forrest.
View More UNTOGETHER (dir. Emma Forrest): Film review
EMPATHY, INC. (dir. Yedidya Gorsetman): Film review
The film explores the lengths that someone will go just to save their reputation and/or bank account.
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PROSPECT (dir. Chris Caldwell, Zeek Earl): Philadelphia Film Festival review
In this world, space isn’t the final frontier. It’s the California desert post-gold rush.
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BATHTUBS OVER BROADWAY (dir. Dava Whisenant): Philadelphia Film Festival review
Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for…
View More BATHTUBS OVER BROADWAY (dir. Dava Whisenant): Philadelphia Film Festival review
THE FAVOURITE (dir. Yorgos Lanthimos): Philadelphia Film Festival review
A film with a concept you didn’t know you needed
View More THE FAVOURITE (dir. Yorgos Lanthimos): Philadelphia Film Festival review
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (dir. Martin McDonagh): Philadelphia Film Festival review
“Raped while dying,” the first billboard reads. The next, “And still no arrests,” and finally, “How come, Chief Willoughby?”
View More THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (dir. Martin McDonagh): Philadelphia Film Festival review
WONDERSTRUCK (dir. Todd Haynes): Philadelphia Film Festival review
Wonderstruck strikes no wonder at all.
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I, TONYA (dir. Craig Gillespie): Philadelphia Film Festival review
I, Tonya wants to be about love.
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BREATHE (dir. Andy Serkis): Philadelphia Film Festival review
What is most impressive about Breathe is its unimpressiveness. And that is a sincere compliment.
View More BREATHE (dir. Andy Serkis): Philadelphia Film Festival review
EX MACHINA (dir. Alex Garland): Movie review
Ex Machina is the first feature film directed by Alex Garland, and it’s a statement of purpose that follows gracefully upon the modus operandi he’s set for himself as a screenwriter and producer.
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TRUE STORY (dir. Rupert Goold): Movie review
Truth may be stranger than fiction, but trying to shove that truth back into a fabricated format (a movie) does not often work on its own.
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IT FOLLOWS (dir. David Robert Mitchell): Movie review
The sophomore effort of three-first-name writer and director David Robert Mitchell is a 100-minute-long teen indie horror flick, and it’s taking everyone by surprise.
View More IT FOLLOWS (dir. David Robert Mitchell): Movie review