Prior to the 2003 invasion of Iraq, a low-level British Intelligence translator, Katherine Gun, found herself privy to information which indicated high-level corruption. A joint…
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Category: Reviews
The Tomorrow Man (dir. Noble Jones): Film review
What appears on its surface to be your typical “older people in love” romantic comedy turns out to be much more. Certainly, this is a…
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Mike Wallace Is Here (dir. Avi Belkin): Film review
Mike Wallace is Here is entertaining and educational, miraculously giving us a thorough portrait free of excessive editorial spin.
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AVENGERS: ENDGAME (dir. Anthony Russo & Joe Russo): Film review
Avengers: Endgame had to stick the landing. It did.
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RENEWAL (Choral Arts Philadelphia): Matt Glandorf looks to Bach’s predecessors for the final Bach@7 concert of the season
Stay with us; for it is toward evening and the day is spent.
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KUN-YANG LIN/DANCERS (NextMove Dance): A dance company with a philosophy
Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means.
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Luce (dir. Julius Onah): Film review
Based on a play by J.C. Lee (Warplay, Pookie Goes Grenading), this talky drama positively smolders from beginning to end
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Funke (dir. Gabriel Taraboulsy, Alexander Emanuele)
I’d still like to know more about pasta
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The Farewell (dir. Lulu Wang): Film review
Based on a story first made popular on an episode of This American Life
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The Art of Self-Defense (dir. Riley Stearns): Film review
This is Fight Club by way of Napoleon Dynamite
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Wild Rose (dir. Tom Harper): Film review
Perhaps the biggest compliment I can give the film is also the one that scares me most: I want to listen to more country.
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’TIS PITY SHE’S A WHORE (PAC): 60-second review
PAC’s full production of the 17th century play retains the fun and accessibility of its Venture Reading series performances.
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ALL STRAVINSKY (PA Ballet): What about the music?
The Pennsylvania Ballet does their best to ignore their fantastic orchestra
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SHAZAM! (dir. David Sandberg): Film review
Unlike a lot of onscreen heroes, Zachary Levi is having fun. So are we.
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KING LEAR (Quintessence): England at his feet
As Lear, Robert Jason Jackson is “every inch a king.
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MEASURE FOR MEASURE (Lantern): A Gchat review
Julius Ferraro and Christopher Munden discuss Lantern Theater’s production on Gchat.
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THE HUMMINGBIRD PROJECT (dir. Kim Nguyen): Film review
At once a financial thriller, a workplace comedy, and a character study of obsessives, this strange curiosity fails to commit to any one tone.
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US (dir. Jordan Peele): Film review
The most important thing about Us is that it is absolutely fucking terrifying.
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THE GODS OF COMEDY (McCarter Theatre): 60-second review
A charming comedy buried under an avalanche of frenetic activity
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HOME PROJECT-IMMIGRANT JOURNEYS (KYL/D): Promoting diversity through identity at Teatro Esperanza
The performance follows a week long residency by the company at Esperanza Academy which included masterclasses, workshops, and guided discussions.
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