Power Street Theatre was founded in 2012 by two Latina Temple alums to showcase the talents of Latin American theater artists. It’s biggest production to…
View More Dominicana Dreamin’: Erlina Ortiz on Latin American theater and her new play, MORIR SONYANDO
Debra Miller sees a LOT of theater. Indeed, she is the most prolific theater writer in town. Henrik Eger talked to Deb about her background and writing.
View More Debra Miller: An interview with Philadelphia’s most prolific theater reviewer
Christopher Munden is the publisher and editor of Phindie. In these pages you’ve probably read what he thinks about local theater and arts. But what’s his deal?…
View More Get to know your favorite Phindie editor
No dance company on earth has a history as moving as the Kibbutz Contemporary Dance Company. KCDC’s story begins with Yehudit Arnon, an 18-year-old Jewish…
View More Political choreographer: Interview with Rami Be’er, artistic director of Israel’s Kibbutz Contemporary Dance Company
Dan Hodge discusses his edited version of HAMLET, onstage through November 23 at Hedgerow Theatre.
View More To alter or not to alter, that is the question: Dan Hodge on directing HAMLET in unorthodox ways
Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.
View More PAC’s Damon Bonetti on BLOOD WEDDING: “Peace in a cruel world”
Interviews with the creative team for Micromanias, a double-bill of original performances coming up this November at Kensington’s Little Berlin.
View More Micro-interviews of some Micromaniacs: Manon Manavit, Julius Ferraro, Drew Carroll, Scott Rodrigue, James Wadsworth Strong, Shelby Jackson
Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.
View More A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Every staged version of Hamlet is edited. Posterity left us two “authentic” written versions of William Shakespeare’s masterpiece, as well as a poorly transcribed but…
View More [podcast] Cutting Hamlet: Director Dan Hodge on adapting Shakespeare’s masterpiece for the stage
Henrik Eger talked to the founder of Dance Affiliates about the inner workings of the international dance scene in these more economically strapped times.
View More “IT ONLY GETS HARDER”: Randy Swartz on the dance scene in economically strapped times
The wacky parents of THE ADDAMS FAMILY at the Media Theatre share the joys and difficulties of juggling two lead roles in their lives.
View More “My busy, wacky, wonderful life”: Parents on stage and off stage, THE ADDAMS FAMILY (Media Theatre)
Philadelphia audiences are still buzzing about Dan Hodge’s performance of Shakespeare’s The Rape of Lucrece. Henrik Eger interviews him about the play.
View More One of the oldest taboos in history: Interview with Dan Hodge on The Rape of Lucrece
I asked cast members of the Idiopathic Ridiculopathy Consortium (IRC), Philadelphia’s absurdist theatre (since 2006), founded by artistic director Tina Brock, what Ionesco’s RHINOCEROS brought up for them as actors and as people. The range of responses is as astounding as this production. A big thank you to everyone who participated in this Phindie interview.
View More Give the rhinos a chance: Interview with the actors of Ionesco’s RHINOCEROS
Tina Brock, writer, actor, founder and producing artistic director of the Idiopathic Ridiculopathy Consortium (IRC) since 2006—Philadelphia’s only absurdist theatre company—holds degrees from the University of Maryland and West Chester University, works as a Standardized Patient Trainer at the National Board of Osteopathic Medical Examiners, and makes the impossible possible, year after year, with some of the most thought provoking and unusual productions.
View More On becoming a RHINOCEROS: Interview with director Tina Brock
I asked Tuomanen, who directed the piece, to talk about The Body Lautrec. On extremely short notice, she agreed (“Aaron called me, said someone was upset about Lautrec and you wanted to ask me some questions.”) We talk about filth, exploitation, agency, and other uplifting stuff.
View More Nudity or Crudity: a conversation with Mary Tuomanen about THE BODY LAUTREC
In this special Phindie feature, Chris interviews Doug about safe spaces, role-playing, and the playwriting process.
View More Playwright to playwright: Douglas Williams (Safe Space) interviewed by Chris Davis (Anna K)
Every fan of the Philadelphia Fringe Festival has seen Josh McIlvain’s work—even if they haven’t seen his theatrical work. For the past few years Josh has…
View More Fringe interview: Josh McIlvain on SLIDESHOWs and editing the Fringe Guide
Now in its 18th year, the Philadelphia Fringe Festival has changed a lot since its early days. Once a small weeklong Old City event, with…
View More Fringe interview with Michelle Pauls: LIVING IN EXILE and the early days of the Fringe
Some contemporary choreographers prefer not to explain, in concrete terms, what they intend their choreography to mean, but Trajal Harrell is happy not only to talk about his dance works, but also his creative process. In a phone interview from Berlin earlier this month, Harrell delved into the various aspects of his dance-theater opus Antigone Sr. / Twenty Looks or Paris is Burning at the Judson Church (L), before its opening as one of the centerpiece shows at 2014 FringeArts.
View More Fringe preview: Trajal Harrell brings Greek theater ‘Realness’
Phindie spoke to Colie McClellan about her Fringe show THEY CALL ME ARETHUSA, a story of intimate partner violence interweaved with Greek mythology and Southern folklore.
View More Fringe interview with Colie McClellan of THEY CALL ME ARETHUSA