Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and began hoping Stern, a known…
Seeing the bodies and minds of Honji Wang and Sebastien Ramirez meld together during the performance proved visually moving for me.
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
The choreography is intellectual and at the same time improvisational and spontaneous
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
The program showcases the company’s unique character and the strength.
TWO-MAN, ONE-MAN is a three-man show—about two one-man shows—being performed as a two-man show.
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.