Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
oug Varone and Dancers presented three different dances
In Matt&, Philly improv comedian Matt Holmes performs with an audience member. The show runs every month at 7pm on the fourth Thursday of the month at the new Good Good Comedy Theatre.
The setting is Vietnam and we are just waking up at the voice of Martin Sheen.
This meta-play within a play is clever and ridiculous.
Among all these historic joys of 2016, Phindie continued its march as the leading site for independent coverage of Philadelphia theater and arts.
Sleeping Beauty the Musical Panto by Peter Pryor and Samantha Reading expresses an ageless story. It is an artistic exploration into space, time, and sound.
Choral Arts artistic director Matt Glandorf shares a little about the seasonal New Years Eve concert.
Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.
Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.
End this strange year with some high notes as Choral Arts Philadelphia and the Philadelphia Bach Collegium present a rare performance of Bach’s Christmas Oratorio.
Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES
A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
“Is this a dance performance or a social experiment?”
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.