Listening party on October 27th and available for streaming on Lightning Rod Special’s website starting October 28th
View More Lightning Rod Special presents SUPERHOST, a Halloween audio thrillerTag: Jaime Maseda
Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
View More Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)THE GAP (Azuka): Self-discovery onstage
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.
View More THE GAP (Azuka): Self-discovery onstageJEAN & TERRY (FringeArts): A mystery of the heart
What exactly is the relationship between Jean and Terry?
View More JEAN & TERRY (FringeArts): A mystery of the heartTheater in Sketch: JEAN & TERRY
Philadelphia artist Melissa Krodman and long-time collaborator Kelly Bond enter the mind’s eye for an experimental new play.
View More Theater in Sketch: JEAN & TERRYABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?
The second part of No Face Performance Group’s ABBOT ADAM series begins with the faintly absurd and moves to the thoroughly absurd.
View More ABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artist
This three-part series by Miguel Gutierrez explores the difficulties of the performer’s life and career.
View More AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artistHolden (George + Co.): Violence in the 21st
In George + Co.’s HOLDEN, J. D. Salinger hasn’t published another book since two assassins blamed his The Catcher in the Rye for their own acts of violence.
View More Holden (George + Co.): Violence in the 21st[76] BASTARD PIECE (No Face Performance Group): Fringe review
You are in a spacey kind of facility thing. It’s all white in there, with some technological lookin’ kinda lights. There are three doors; soon,…
View More [76] BASTARD PIECE (No Face Performance Group): Fringe review