This week, hosts Josh, John, and Chris take a long day’s journey into night with the 1957 winner by Eugene O’Neill, his fourth.
View More Long Day’s Journey Into Night by Eugene O’Neill (1957): Chosen by Committee Episode 35
Tag: Eugene O’Neill
Strange Interlude by Eugene O’Neill: Chosen by Committee Episode 10
The Pulitzers go for Modernism with Eugene O’Neill’s 1928 drama winner
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Anna Christie by Eugene O’Neill (1922): Chosen by Committee Episode 4
his week the pod discuss Eugene O’Neill’s fascinating sea shanty Anna Christie.
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Beyond the Horizon by Eugene O’Neill (1920): Chosen by Committee Episode 2
In episode 2 of Chosen by Committee, the podcast considering every play which won a Pulitzer Prize for Drama, hosts Josh, John, and Christopher discuss Eugene O’Neill’s 1920 tragedy. They mostly loved it.
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Theater in Sketch: DESIRE UNDER THE ELMS (EgoPo Classic Theater)
EgoPo Classic Theater is looking at the South African region to consider the geographical mysteries and beauty of African culture.
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Oscar-Winning Movies Don’t Come From Plays Anymore
No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
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LONG DAY’S JOURNEY INTO NIGHT (Quintessence): Love and desire and hate
An excellent play well done.
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The Mother of All Roles: E. Ashley Izard plays Mary Tyrone in LONG DAY’S JOURNEY INTO NIGHT
E. Ashley Izard tackles one of the most daunting roles in the American canon.
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[NYC] MOURNING BECOMES ELECTRA (Target Margin Theater): Getting closer to O’Neill
I feel like I know the value of experimental theater thanks to the folks at Target Margin.
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Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company
Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season
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You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
Matt Pfeiffer discusses the Eugene O’Neill play ahead of PAC’s reading.
View More You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
A MOON FOR THE MISBEGOTTEN (Walnut): 60-second review
The Walnut’s production reveals the bones of an American classic if never quite fleshes out the potential of the enduring masterwork.
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Hearing voices at 3 AM: Interview with POST HASTE playwright Frank E. Reilly
Frank E. Reilly’s latest play, POST HASTE, just finished its world premiere run at the Hedgerow Theatre. Henrik Eger interviewed the playwright about his works.
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THE HAIRY APE (EgoPo): The cage of modern life
The challenge for EgoPo director Brenna Geffers was to make a play which must have been theatrically and politically radical a century ago relevant to a 21st-century audience.
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MOURNING BECOMES ELECTRA (Quintessence): America’s Ghosts Return to Haunt
There are plenty of things to thrill over in Quintessence Theatre Group’s stirring, and impressively-performed, MOURNING BECOMES ELECTRA. Director Alex Burns and his well-picked ensemble continue to impress.
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THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2
Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific…
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[32.1] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review
With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of…
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Fringe Preview 8: Old City Fringe
Once upon a time the Old City Fringe was the Philly Fringe. Old City on the first Friday in September was the place to be,…
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