ANTIHERO (Tribe of Fools): 2016 Fringe review 32.1
Tribe of Fools returns to Fringe with a satirical look at the culture of comic book heroes.
View More ANTIHERO (Tribe of Fools): 2016 Fringe review 32.1I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31
The two pieces foment a rowdy audience that’s comfortable interacting and even going up on stage to help the chosen one achieve her mission
View More I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
Wilson and his dancers beautifully articulate humankind’s desire to belong.
View More CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
View More A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of PhiladelphiaTHE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29
If upon arrival it feels as though you’ve stumbled into a new age-y meet-up, that’s because in a way it is
View More THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29CRAVE (Svaha Theatre): 2016 Fringe review 28
Depression and mental collapse run through Sarah Kane’s CRAVE, an indictment and exploration of love presented in a series of late-night showings.
View More CRAVE (Svaha Theatre): 2016 Fringe review 28PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27
PANGAEA: A FOLK OPERA doesn’t seem to ask a question, but gives a heartfelt answer
View More PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27REALITY CHECK (ETC Theater): 2016 Fringe review 26
Not without its own brand of social commentary, but mainly it’s just one damn good time
View More REALITY CHECK (ETC Theater): 2016 Fringe review 26THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
Five wicked young women flavor this theatrical piece like a craft brew.
View More THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25I’M ENOUGH. Music to the show
I’M ENOUGH, a one night only flash performance by Sebastian Cummings, hits the stage of PhilaMOCA tonight.
View More I’M ENOUGH. Music to the showA STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans…
View More A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2STORY OF MY EYE (GOATPIG): 2016 Fringe review 24
The principle of Chekov’s Cucumber mandates that if you introduce an object to the audience it must be used to sodomize someone at some point in the production.
View More STORY OF MY EYE (GOATPIG): 2016 Fringe review 24TWO STORIES (Jillian Glace): 2016 Fringe review 23
A fine Fringe premier for choreographer Jillian Glace and her performers.
View More TWO STORIES (Jillian Glace): 2016 Fringe review 23HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22
An invitation to dwell inside the place that is unarguably woman, the womb
View More HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22ROOM 21 (Jace Clayton): 2016 Fringe review 21
We were lucky to have been in attendance for ROOM 21’s only performance—one as unique and undying in our minds as the Barnes itself.
View More ROOM 21 (Jace Clayton): 2016 Fringe review 21A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.1
Deep Blue goes for the jugular with a serious staging of STREETCAR, Tennessee Williams’s beloved, hard, and overheated play
View More A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.1THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18
A devised piece that addresses the roles of women in combat with both earnestness and humor
View More THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18BEFORE I DIE (Tongue & Groove): 2016 Fringe review 17
The talented, quick-witted ensemble cast of comedians are accompanied by a live musician whose witty commentary drives plot forward.
View More BEFORE I DIE (Tongue & Groove): 2016 Fringe review 17