AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50
Sometimes brutal, but always on point, AN OBVIOUSLY FOGGOT is the explosive, vibrant queer play we’ve been waiting for in this year’s festival.
View More AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49
A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
View More EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49SPECULUM DIARIES (Irina Varina): 2016 Fringe review 48
Consider the speculum a tool for looking inward in more ways than one.
View More SPECULUM DIARIES (Irina Varina): 2016 Fringe review 48CARRIED AWAY (Brian Sanders’ JUNK): 2016 Fringe review 47
Bridging the gap between dance and physical theater, CARRIED AWAY delivers an exciting, heartfelt, and stimulating crowd-pleaser.
View More CARRIED AWAY (Brian Sanders’ JUNK): 2016 Fringe review 47SURFACE TENSION (Tangle Movement Arts): 2016 Fringe review 46
Tangle Movement Arts is back again with a thrilling Fringe Festival performance.
View More SURFACE TENSION (Tangle Movement Arts): 2016 Fringe review 46BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45
A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
View More BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45GALA (Jerome Bel): 2016 Fringe review 44
Jerome Bel challenges our ideas of what a performance can be.
View More GALA (Jerome Bel): 2016 Fringe review 44SHAKESPEARE @ THE BAR: THE TAMING OF THE SHREW (Margo Jones Syndicate): 2016 Fringe review 43
The Bard, no longer relegated to elite theatrical institutions, has found his way to a popular University City bar.
View More SHAKESPEARE @ THE BAR: THE TAMING OF THE SHREW (Margo Jones Syndicate): 2016 Fringe review 43PANDÆMONIUM (Nichole Canuso Dance Company / Early Morning Opera): 2016 Fringe review 42.1
A testament to what Fringe can do: defy genre, defy theme, defy medium, and somehow still manage to be cohesive and emotionally haunting
View More PANDÆMONIUM (Nichole Canuso Dance Company / Early Morning Opera): 2016 Fringe review 42.1ASHES OF A DEAD PHILOSOPHY (Forgotten Lore Theatre Company): 2016 Fringe review 41
Edgar Allen Poe’s macabre imagination manifests itself through Forgotten Lore Theatre Company’s ASHES OF A DEAD PHILOSOPHY. This promenade theatre installment occupies a room in…
View More ASHES OF A DEAD PHILOSOPHY (Forgotten Lore Theatre Company): 2016 Fringe review 41RIGHT BEHIND (Lozzi Productions): 2016 Fringe review 40
“Welcome to hell,” hostess Dana says upon meeting brand-new waitress Sarah
View More RIGHT BEHIND (Lozzi Productions): 2016 Fringe review 40ANTIHERO (Tribe of Fools): 2016 Fringe review 32.2
Soaring out of the gates with effortless acrobatics, Tribe of Fools’ robust remount of ANTIHERO is a true theatrical powerhouse
View More ANTIHERO (Tribe of Fools): 2016 Fringe review 32.2ARTSHIP OLYMPIA (Philadelphia Sculptors): 2016 Fringe review 39
Museums are always looking for ideas to bring new visitors to aging attractions, and in ARTSHIP OLYMPIA Independence Seaport Museum has found a charming, fringey way.
View More ARTSHIP OLYMPIA (Philadelphia Sculptors): 2016 Fringe review 39ONE-MAN APOCALYPSE NOW (Chris Davis): 2016 Fringe review 38
Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
View More ONE-MAN APOCALYPSE NOW (Chris Davis): 2016 Fringe review 38ELECTILE DYSFUNCTION (Act II Playhouse): A vote-getter
Puns, pokes, and irreverent portrayals take the place of debating issues
View More ELECTILE DYSFUNCTION (Act II Playhouse): A vote-getterTHE INSTITUTE FOR RELATIVITY STUDIES (Brian Shapiro Presents): 2016 Fringe review 37
Comedy for people who want to have a little extra to think about after the show
View More THE INSTITUTE FOR RELATIVITY STUDIES (Brian Shapiro Presents): 2016 Fringe review 37SOUTH PACIFIC (Walnut): A pleasure among the palm trees
One of the great Broadway musicals, SOUTH PACIFIC is always a pleasure.
View More SOUTH PACIFIC (Walnut): A pleasure among the palm treesMATADOR (Ethos Physical Theatre Company) 2016 Fringe review 36
Love is the bloodiest sport of the all
View More MATADOR (Ethos Physical Theatre Company) 2016 Fringe review 36THE 7-PERSON CHAIR PYRAMID HIGH WIRE ACT (Der Vorfuhreffekt Theatre): 2016 Fringe review 35
A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
View More THE 7-PERSON CHAIR PYRAMID HIGH WIRE ACT (Der Vorfuhreffekt Theatre): 2016 Fringe review 35THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34
To move towards one another through the “sadness and pain of blues and seas.”
View More THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34