Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
AMH Productions finds the humor and poignancy in Keller’s quietly affecting consideration of race, class, and human connection
View More DUTCH MASTERS (AMH Productions): 2016 Fringe review 60Brooklyn’s CATCH is a showcase for experimental artists in all genres—The Ed Sullivan Show on acid.
View More CATCH TAKES BOK (Catch and Thirdbird): 2016 Fringe review 59A one-hour existentialist monologue filled with expressive movement, colorful costumes, funny props, apropos music, and audience participation
View More BILLOSOPHY: LIFE, CIRCUS, DEATH (Bill Forchion): 2016 Fringe review 58A highly experimental, improvisational, and fascinating Fringe performance
View More WITH FLINT AND STEEL (Duende): 2016 Fringe review 57Music to rock, soul, jam out, or however you feel by.
View More WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56Gunar Montana’s choreography is seriously energetic, more downright sexual than subtly sensual.
View More WROUGHTLAND (Gunnar Montana): 2016 Fringe review 55An exploration of divorce and disconnection in the California desert.
View More PANDÆMONIUM (Nichole Canuso Dance Company): 2016 Fringe review 42.2“God hates fags!”, “God hates you!”, “God hates porcupines!” It’s cathartic to hear the argument yelled back at the haters who so recently visited Philadelphia: “God is love!”
View More THE CHURCH BELLS ALL WERE BROKEN (Casabuena Cultural Productions): 2016 Fringe review 54I was especially drawn to the costumes, the charming quality in the men from different time periods, and the seemingly girl into woman hood plot.
View More Fringe in Sketch: DROWNING OPHELIAHaygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
View More BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53They recite Rumi, the poet champion of romantic love, and remind Darya how beautiful and painful love can be.
View More SILKEN VEILS (Pantea Productions): 2016 Fringe review 52Loveliness and tenderness that breaks through the surface coldness are the hallmarks of the Media’s production of this delicate but sweepingly romantic musical.
View More THE BRIDGES OF MADISON COUNTY (Media Theatre): Atmospherically moody productionBYOB elementary school music class: A PARTY WITH MISTER JOHN is the evening out you didn’t know you needed.
View More AN EVENING WITH MISTER JOHN (John Francisco/Mister John’s Music): 2016 Fringe review 51Sometimes brutal, but always on point, AN OBVIOUSLY FOGGOT is the explosive, vibrant queer play we’ve been waiting for in this year’s festival.
View More AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
View More EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49Consider the speculum a tool for looking inward in more ways than one.
View More SPECULUM DIARIES (Irina Varina): 2016 Fringe review 48Bridging the gap between dance and physical theater, CARRIED AWAY delivers an exciting, heartfelt, and stimulating crowd-pleaser.
View More CARRIED AWAY (Brian Sanders’ JUNK): 2016 Fringe review 47Tangle Movement Arts is back again with a thrilling Fringe Festival performance.
View More SURFACE TENSION (Tangle Movement Arts): 2016 Fringe review 46A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
View More BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45Jerome Bel challenges our ideas of what a performance can be.
View More GALA (Jerome Bel): 2016 Fringe review 44