THE PRODUCERS (Bristol Riverside): Bialystock & Bloom, mini-Madoffs of the theater world
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
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COMPANY WANG RAMIREZ (NextMove DANCE): Dance with no borders
The choreography is intellectual and at the same time improvisational and spontaneous
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A dilettante at large: LEONARD BERNSTEIN: THE POWER OF MUSIC (NMAJH)
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
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Back to Prison: Playwright Kash Goins on his reprised play V to X at Arden Theatre
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
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SMALL MOUTH SOUNDS (Ars Nova/PTC): Hmmph
As far as I can tell, this is a satire, although you know you’re on shaky ground when you’re not sure if the play knows it’s a satire.
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Paul is Live: Interview with the fab star of RAIN: A Tribute to the Beatles
An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
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SWAN LAKE (PA Ballet): Pennsylvania Ballet refined through the classic
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
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A dilettante at large: A QUIET PLACE (Curtis Institute of Music)
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
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SPRING SERIES 2018 (BalletX): Ballet, according to BalletX
The program showcases the company’s unique character and the strength.
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A Three-Man Show About Two One-Man Shows: CSz Philadelphia’s TWO-MAN ONE-MAN
TWO-MAN, ONE-MAN is a three-man show—about two one-man shows—being performed as a two-man show.
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LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
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THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
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THE MOST DESERVING (Allens Lane): Art-iface at it’s funniest!
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
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MARIE ANTOINETTE (Curio): You say you want a revolution?
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
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Dance in Sketch: Kun-Yang Lin/Dancers open studio
Kun-Yang Lin/Dancers Open Rehearsals series is taking place now as they prepare for Faith Project at the Prince Theater March 22-24
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PASSING STRANGE (Wilma): Youth and rebellion
Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”
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Oscar-Winning Movies Don’t Come From Plays Anymore
No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
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Dance Rehearsal in Sketch: BARRY: MAMALOSHEN (Asya Zlatina)
Asya Zlatina and Dancers is a constant reminder for myself that Philadelphia dancers are connected and collaborating with each other.
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Philadelphia Theater Calendar March 2018
This is what you can see in Philly theaters in March 2018.
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Remembering TIME REMEMBERED: Interviews with the IRC cast
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
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