Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
DAMNED DIRTY APES! (Renegade): 2015 Fringe Review 36
Wear sturdy shoes for this wild mile-and-a-half theatrical expedition through FDR Park, where humans are pitted against apes and hilarity ensues!
View More DAMNED DIRTY APES! (Renegade): 2015 Fringe Review 36
THERE (Jo Strømgren Kompani): 2015 Fringe review 35
You would be excused for not understanding exactly what is going on in THERE: the dialog is all in a Russianish nonsense language
View More THERE (Jo Strømgren Kompani): 2015 Fringe review 35
THE GIRL’S GUIDE TO NEIGHBORLY CONDUCT (Tangle Movement Arts): 2015 Fringe review 34
Highly trained and expressive performers introduce viewers to girls’ life, relationships and strength through their acrobatic and astonishing circus arts.
View More THE GIRL’S GUIDE TO NEIGHBORLY CONDUCT (Tangle Movement Arts): 2015 Fringe review 34
MUSICIAN, MODEL & MEDICAL EXPERIMENT (Anomie Fatale): 2015 Fringe review 33
Fatale recounts her tragedies, infusing humor through her narrative, music, and burlesque numbers.
View More MUSICIAN, MODEL & MEDICAL EXPERIMENT (Anomie Fatale): 2015 Fringe review 33
DISHWASHER (Brian Feldman): 2015 Fringe review 10.2
DISHWASHER exposes a reality of life: Performing a monologue can be a service just like washing a dish
View More DISHWASHER (Brian Feldman): 2015 Fringe review 10.2
THE BORDER (Jo Strømgren Kompani): 2015 Fringe review 32.1
This scintillating exploration of the territorial tensions between a man and a woman takes us beyond the cubicle walls to the dynamic boundaries of human relations.
View More THE BORDER (Jo Strømgren Kompani): 2015 Fringe review 32.1
AVAILABLE LIGHT (Lucinda Childs Dance Company): 2015 Fringe Review 31
Three progenitors of 20th-century Minimalism—Lucinda Childs, John Adams, and Frank Gehry–teamed up to create a stunning program of dance, sound, and space.
View More AVAILABLE LIGHT (Lucinda Childs Dance Company): 2015 Fringe Review 31
OF OUR REMNANTS (Olive Prince Dance): 2015 Fringe review 30
In OF OUR REMNANTS, the utilitarian object is one of comfort, and comfort is an act of avoidance.
View More OF OUR REMNANTS (Olive Prince Dance): 2015 Fringe review 30
CITY OF WOES (Found): 2015 Fringe Review 29
A fluid stylistic synthesis of Dante’s Inferno with 1940s crime fiction, this ensemble-devised work is profound and affecting.
View More CITY OF WOES (Found): 2015 Fringe Review 29
SOMETIMES CALLIE AND JONAS DIE (Poison Apple Initiative): 2015 Fringe review 28
This is hot, rough, and in-your-face low budget theater, and it’s matched by a raw and shit-kicking theater show.
View More SOMETIMES CALLIE AND JONAS DIE (Poison Apple Initiative): 2015 Fringe review 28
FISH & BEAUREGARD (Viscosity Theatre): 2015 Fringe review 27
A shy boy, his pet fish, and an outgoing girl teach us that allowing ourselves to be vulnerable is important, no matter how old we are.
View More FISH & BEAUREGARD (Viscosity Theatre): 2015 Fringe review 27
Fringe in Sketch 5: DISHWASHER (Brian Feldman)
Sketch artist Aaron Krolikowski attended a performance of Brian Feldman’s DISHWASHER, sketchbook in hand.
View More Fringe in Sketch 5: DISHWASHER (Brian Feldman)
REIMAGINE YOUR REALITY (Frank Perri): 2015 Fringe review 26
Put aside any assumptions about hypnosis when you enter the stage area of REIMAGINE YOUR REALITY. And then your dignity.
View More REIMAGINE YOUR REALITY (Frank Perri): 2015 Fringe review 26
901 NOWHERE STREET (Sam Tower + Ensemble): 2015 Fringe Review 25
The mysterious world of film noir is given a new twist as an all-female cast reconfigures the traditionally male crime-detective genre.
View More 901 NOWHERE STREET (Sam Tower + Ensemble): 2015 Fringe Review 25
HERE AT HOME (Soledad Ensemble): 2015 Fringe review 24
Marisol Rosa-Shapiro’s hilarious solo performance explores play, imagination, and how we create safe, welcoming spaces.
View More HERE AT HOME (Soledad Ensemble): 2015 Fringe review 24
Fringe in Sketch 4: SLAUGHTER/ETTE (Butter & Serve)
As part of Phindie’s coverage of the 2015 Fringe Festival, we are having artists sketch what they see at select Fringe shows. Here’s what Chuck Schultz saw…
View More Fringe in Sketch 4: SLAUGHTER/ETTE (Butter & Serve)
THREE SISTERS AND A WOLF (Wee Keep Company): 2015 Fringe review 23
By exploring the way performances interact with the world in which they are made, THREE SISTERS AND A WOLF shows how Chekhov can thrive in the wilds of PA.
View More THREE SISTERS AND A WOLF (Wee Keep Company): 2015 Fringe review 23
Fringe in Sketch 3: FISH & BEAUREGARD (Viscosity Theatre)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees. Here’s what he saw at FISH & BEAUREGARD.
View More Fringe in Sketch 3: FISH & BEAUREGARD (Viscosity Theatre)
BODY OF WATER (Antonia & Artists): 2015 Fringe review 22
This hour-long dance work explores the movements of water, both inside the body and surrounding us.
View More BODY OF WATER (Antonia & Artists): 2015 Fringe review 22
The International Philly Fringe: A welcome to 18 countries
Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.
View More The International Philly Fringe: A welcome to 18 countries