Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
SOUL PROJECT (David Zambrano): 2015 Fringe review 66
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
View More SOUL PROJECT (David Zambrano): 2015 Fringe review 66
TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
Three works focused on “the female embodied”.
View More TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
Director Tina Brock shares her thoughts as she steps into the lead role for IRC’s final performances of EXIT THE KING
View More When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
100 (Sam Henderson): 2015 Fringe review 63
100 is more than an elegantly written play told in random pieces—it’s an intense experience if you are open to it.
View More 100 (Sam Henderson): 2015 Fringe review 63
Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
View More 2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
A clever new take on Shakespeare’s early romantic comedy imparts the flavor of 1960’s-70s Americana with live country-rock music and a multi-talented cast of actors/singers/musicians.
View More LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
Charles Dickens comes undead at this haunting site-specific show.
View More THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
Modern dance meets contemporary ballet in an expressive collaboration by two of Philadelphia’s top-notch companies.
View More INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the…
View More IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
CAREFUL INJURIES (Other Case Notes Ensemble): 2015 Fringe review 56
Composed as a series of vignettes, CAREFUL INJURIES “began as an examination of physical states and expressions of comfort, fear, and exhaustion.”
View More CAREFUL INJURIES (Other Case Notes Ensemble): 2015 Fringe review 56
SUITE N˚2 (Encyclopédie de la Parole / Joris Lacoste): 2015 Fringe review 55
Part chorale work, part theater, and part compelling curated art, this peculiarly affecting piece examines the diversity of contemporary communication.
View More SUITE N˚2 (Encyclopédie de la Parole / Joris Lacoste): 2015 Fringe review 55
Fringe in Sketch 7: UNARMED (Arielle Pina)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 7: UNARMED (Arielle Pina)
“Performing Ionesco is a sport”: Interview with EXIT THE KING director Tina Brock
Henrik Eger talks to director Tina Brock about this intriguing Fringe production.
View More “Performing Ionesco is a sport”: Interview with EXIT THE KING director Tina Brock
KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54
Seven actors explain, enact, and parody a series of Shakespeare’s “bloody bits” in this fast, furious, and funny mash-up of The Bard’s iconic death and battle scenes.
View More KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54
DANCES WITH SOCKS (Megan Flynn Dance): 2015 Fringe review 53
A series of short sketches of people in process. Carefully crafted dances that pulled the audience into the performers’ private worlds.
View More DANCES WITH SOCKS (Megan Flynn Dance): 2015 Fringe review 53