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Category: Theater

The best source for independent coverage of Philadelphia theater.

Reviews Theater

LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love

Christopher Munden February 21, 2018 No Comments

Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.

View More LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love
Features Interviews Theater

SOMETHING ROTTEN in Philadelphia: Philly natives return with the touring production

Debra Danese February 20, 2018 No Comments

Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.

View More SOMETHING ROTTEN in Philadelphia: Philly natives return with the touring production
Reviews Theater

WAIT UNTIL DARK (Hedgerow Theatre): For brilliant suspense…

Lisa Panzer February 20, 2018 No Comments

Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense

View More WAIT UNTIL DARK (Hedgerow Theatre): For brilliant suspense…
Reviews Theater

NEXT TO NORMAL (Media Theatre): Powerful and poignant

Neal Zoren for NealsPaper February 15, 2018 No Comments

Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.

View More NEXT TO NORMAL (Media Theatre): Powerful and poignant
Reviews Theater

MR BURNS (Villanova): The future in three acts

Christopher Munden February 15, 2018 No Comments

What would 21st-century American culture look like if all we knew about it was told generations after an apocalypse

View More MR BURNS (Villanova): The future in three acts
60-Second Review Reviews Theater

HEISENBERG (Delaware Theatre Co.): 60-second review

Neal Zoren for NealsPaper February 14, 2018 No Comments

What? Him again? Yes and no.

View More HEISENBERG (Delaware Theatre Co.): 60-second review
Features Theater

Theater in Sketch: TIME REMEMBERED (IRC)

Chuck Schultz February 13, 2018 No Comments

Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5

View More Theater in Sketch: TIME REMEMBERED (IRC)
Reviews Theater

WAITING FOR GODOT (Quintessence): Really absurd

Christopher Munden February 12, 2018 No Comments

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

View More WAITING FOR GODOT (Quintessence): Really absurd
Features Theater

A Vagina Monologues for our Times: Earlie Bird Productions’ V2: CREATION MYTH

Smalley Bogg February 12, 2018 No Comments

V2: Creation Myth follows up and updated the themes from The Vagina Monologues.

View More A Vagina Monologues for our Times: Earlie Bird Productions’ V2: CREATION MYTH
Features Theater

Desi Oakley Takes Your Order: Talking about her role in the touring production of WAITRESS

Debra Danese February 11, 2018 No Comments

Desi Oakley is donning an apron and baking her way across the country as Jenna in the national tour of WAITRESS

View More Desi Oakley Takes Your Order: Talking about her role in the touring production of WAITRESS
Reviews Theater

A dilettante at large: WRITTEN ON SKIN (Opera Philadelphia)

Toby Zinman February 11, 2018 4 Comments

Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.

View More A dilettante at large: WRITTEN ON SKIN (Opera Philadelphia)
Features Music Theater

Performance in Sketch: Daedalus String Quartet and Michael Hollinger’s OPUS

Chuck Schultz February 11, 2018 No Comments

Annenberg Center presented a program of music and theater, with a Beethoven performance by the Daedalus String Quartet and a staged reading by playwright Michael Hollinger

View More Performance in Sketch: Daedalus String Quartet and Michael Hollinger’s OPUS
Reviews Theater

LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow

Julius Ferraro February 5, 2018 No Comments

COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.

View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
Reviews Theater

REALLY (Theatre Exile): Camera obscura

Toby Zinman February 1, 2018 No Comments

Discomfort is the name of the game here, but to what purpose?

View More REALLY (Theatre Exile): Camera obscura
Philadelphia theater calendar
calendar Theater

Philadelphia Theater Calendar February 2018

Calendar February 1, 2018 No Comments

Yay! It’s a Philadelphia theater calendar for February 2018.

View More Philadelphia Theater Calendar February 2018
Reviews Theater

THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point

Ralph Malachowski January 27, 2018 1 Comment

THE HUMANS is a difficult play to like or to watch

View More THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point
Reviews Theater

MORNING’S AT SEVEN (People’s Light): A sorority of acting talent

Neal Zoren for NealsPaper January 25, 2018 No Comments

A delightful comedy that shows an evening and morning in the lives of four sisters

View More MORNING’S AT SEVEN (People’s Light): A sorority of acting talent
Sensitive Guys InterAct review
Reviews Theater

SENSITIVE GUYS (InterAct): Satirizing the dialectic of sex

Toby Zinman January 25, 2018 5 Comments

What’s being satirized in this social satire? Good question, with several answers.

View More SENSITIVE GUYS (InterAct): Satirizing the dialectic of sex
Features Theater

Talking ‘Bout A Revolution: Thoughts on seeing LES MIZ at the Academy

Thom Nickels January 24, 2018 No Comments

Thom Nickels contemplates revolution after seeing LES MIZ at the Academy

View More Talking ‘Bout A Revolution: Thoughts on seeing LES MIZ at the Academy
Reviews Theater

A DOLL’S HOUSE (Arden): Ibsen for our times

Christopher Munden January 23, 2018 No Comments

A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.

View More A DOLL’S HOUSE (Arden): Ibsen for our times

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