Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
View More Remembering TIME REMEMBERED: Interviews with the IRC cast
Category: Theater
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A STEADY RAIN (Walnut St): An intense and engrossing cop show
If you’re a fan of TV police procedurals this is the play for you.
View More A STEADY RAIN (Walnut St): An intense and engrossing cop show
Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
View More Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
AN EVENING WITH GROUCHO (Bucks County Playhouse): 60-second review
Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.
View More AN EVENING WITH GROUCHO (Bucks County Playhouse): 60-second review
LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love
Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
View More LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love
SOMETHING ROTTEN in Philadelphia: Philly natives return with the touring production
Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.
View More SOMETHING ROTTEN in Philadelphia: Philly natives return with the touring production
WAIT UNTIL DARK (Hedgerow Theatre): For brilliant suspense…
Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense
View More WAIT UNTIL DARK (Hedgerow Theatre): For brilliant suspense…
NEXT TO NORMAL (Media Theatre): Powerful and poignant
Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.
View More NEXT TO NORMAL (Media Theatre): Powerful and poignant
MR BURNS (Villanova): The future in three acts
What would 21st-century American culture look like if all we knew about it was told generations after an apocalypse
View More MR BURNS (Villanova): The future in three acts
HEISENBERG (Delaware Theatre Co.): 60-second review
What? Him again? Yes and no.
View More HEISENBERG (Delaware Theatre Co.): 60-second review
Theater in Sketch: TIME REMEMBERED (IRC)
Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5
View More Theater in Sketch: TIME REMEMBERED (IRC)
WAITING FOR GODOT (Quintessence): Really absurd
Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.
View More WAITING FOR GODOT (Quintessence): Really absurd
A Vagina Monologues for our Times: Earlie Bird Productions’ V2: CREATION MYTH
V2: Creation Myth follows up and updated the themes from The Vagina Monologues.
View More A Vagina Monologues for our Times: Earlie Bird Productions’ V2: CREATION MYTH
Desi Oakley Takes Your Order: Talking about her role in the touring production of WAITRESS
Desi Oakley is donning an apron and baking her way across the country as Jenna in the national tour of WAITRESS
View More Desi Oakley Takes Your Order: Talking about her role in the touring production of WAITRESS
A dilettante at large: WRITTEN ON SKIN (Opera Philadelphia)
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
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Performance in Sketch: Daedalus String Quartet and Michael Hollinger’s OPUS
Annenberg Center presented a program of music and theater, with a Beethoven performance by the Daedalus String Quartet and a staged reading by playwright Michael Hollinger
View More Performance in Sketch: Daedalus String Quartet and Michael Hollinger’s OPUS
LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
REALLY (Theatre Exile): Camera obscura
Discomfort is the name of the game here, but to what purpose?
View More REALLY (Theatre Exile): Camera obscura
Philadelphia Theater Calendar February 2018
Yay! It’s a Philadelphia theater calendar for February 2018.
View More Philadelphia Theater Calendar February 2018
THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point
THE HUMANS is a difficult play to like or to watch
View More THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point