Fun, thrilling, and unpredictable. An action movie for the post-superhero world.
View More THE AERONAUTS (dir. Tom Harper): 2019 Philadelphia Film Festival review
Category: Theater
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Neal Zoren’s Shows to See in Philadelphia This November
Rundown of Philadelphia theater shows onstage this November
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MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company at McCarter): Second review
There’s ethereal magic to be found in this stripped and reconstituted Victorian Gothic piece
View More MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company at McCarter): Second review
SUNSET OF MULHOLLAND DRIVE (dir. Uli Gaulke, Agnes Lisa Wegner): 2019 Philadelphia Film Festival review
Sunset Over Mulholland Drive is not interested in exploration, only adoration.
View More SUNSET OF MULHOLLAND DRIVE (dir. Uli Gaulke, Agnes Lisa Wegner): 2019 Philadelphia Film Festival review
THE NIGHT ALIVE (Inis Nua): A little unlikely magic
A writer in touch with real life—and how scary it can be.
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COME FROM AWAY (national tour): Welcome to the Rock
Deeply stirring and mournful, a remarkable accomplishment
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MARY SHELLEY’S FRANKENSTEIN (McCarter): Overreaching ambition
Theatrically spectacular but without the marvelous profundity of the source novel
View More MARY SHELLEY’S FRANKENSTEIN (McCarter): Overreaching ambition
THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of Ireland
In repertory with their solid production of PLAYBOY OF THE WESTERN WORLD, the company presents three of Synge’s one-acts as THE SYNGE TRIPTYCH.
View More THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of Ireland
DOT (People’s Light): A (fading) memory play
Mmemories fill a family’s West Philadelphia home like radio waves.
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An Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLD
An extended consideration of the new Synge production from Mount Airy’s Quintessence Theatre.
View More An Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLD
Speak From Away: Dialect coach Joel Goldes teaches Newfie-talk and other accents for COME FROM AWAY
Dialect coach Joel Goldes breaks down what it takes to learn an accent.
View More Speak From Away: Dialect coach Joel Goldes teaches Newfie-talk and other accents for COME FROM AWAY
And the winners are… 2019 Barrymore Award recipients
Hey, who won a 2019 Barrymore Award?
View More And the winners are… 2019 Barrymore Award recipients
FALSETTOS (11th Hour Theatre Company): 60-second review
A challenging show, with musically complicated, character-driven songs, that demands performers tell almost the entire story through song.
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MINORITYLAND (Power Street Theatre): The G word
MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.
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THE NIGHT ALIVE (Inis Nua): 60-second review
A quiet, human look at modern isolation
View More THE NIGHT ALIVE (Inis Nua): 60-second review
PLAYBOY OF THE WESTERN WORLD (Quintessence): Dead dads, tall tales, Irish intrigue
When PLAYBOY OF THE WESTERN WORLD premiered in Philadelphia in 1912, riots broke out. Quintessence’s skillful production features consistently strong performances that manage to surprise and delight.
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DONNA ORBITS THE MOON (Tiny Dynamite): A long and moving journey
At first it seems to be just another mad housewife story: a church-going, cookie-baking, carpet-vacuuming middle-aged empty nester whose husband works until 11 p.m. and…
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ORLANDO (Villanova): Blurred lines
As Orlando journeys through genders and centuries, the pain and beauty of being a human in a body is explored with a vibrant commitment to the process of theater-making.
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THE ROOMMATE (1812 Productions): 60-second review
Where are Oscar and Felix when you really need them?
View More THE ROOMMATE (1812 Productions): 60-second review
AUTOPIA (Hella Fresh): 2019 Fringe review
I’m reminded to look around and appreciate the magic of the theater.
View More AUTOPIA (Hella Fresh): 2019 Fringe review